From Strangers to Friends of God: The Vocation of the Artist in Jacques Maritain’s Life and Work

Abstract The thesis of this article is that the understanding of the vocation of an artist in the writings of Jacques Maritain emerges as to develop habitus (practical virtues of the intellect) in order to direct their inspirations in order to make beautiful things that convey the spiritual heritage of the nation and the civilization and inspire others to contemplate God. This vocation to be an associate of God in creating beautiful works is a powerful reminder of the close relationship between all personal vocations and the common good. First I explore Maritain’s conversion to Catholicism, including through the arts. I next clarify Maritain’s Thomistic understanding of art as one expression of the illuminating intellect. I then review Maritain’s writings about the arts in education. I conclude with theological and pastoral reflections on the vocation of an artist.

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Publication Details

Journal
New Blackfriars
Published
2026-02-23
DOI
https://doi.org/10.1017/nbf.2026.10146
Primary Topic
Catholicism and Religious Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

From Strangers to Friends of God: The Vocation of the Artist in Jacques Maritain’s Life and Work

Margarita Mooney Clayton
New Blackfriars
Catholicism and Religious Studies
article

From Strangers to Friends of God: The Vocation of the Artist in Jacques Maritain’s Life and Work

Margarita Mooney Clayton
article en

Abstract

Abstract The thesis of this article is that the understanding of the vocation of an artist in the writings of Jacques Maritain emerges as to develop habitus (practical virtues of the intellect) in order to direct their inspirations in order to make beautiful things that convey the spiritual heritage of the nation and the civilization and inspire others to contemplate God. This vocation to be an associate of God in creating beautiful works is a powerful reminder of the close relationship between all personal vocations and the common good. First I explore Maritain’s conversion to Catholicism, including through the arts. I next clarify Maritain’s Thomistic understanding of art as one expression of the illuminating intellect. I then review Maritain’s writings about the arts in education. I conclude with theological and pastoral reflections on the vocation of an artist.

New BlackfriarsVol. 107(2)
Princeton Theological Seminary (US)
Openalex Percentile: Top 44%
Catholicism and Religious Studies
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