The Original Sin of Writing and Reading

This study examines the possible points of connection between crime and reading on the basis of genre-typical roles and motifs in detective fiction. I aim to identify characteristic reading methods, strategies, locations, events, and professions with regard to the detective, the perpetrator and the victim. Following a general introduction with a focus on genre theory and thematic concerns, I proceed with an analysis of P. D. James’s crime novel Original Sin. This novel not only offers the posing and solving of a criminal puzzle, but also reflects powerfully on moral questions about sin, original sin and violent death. In my analysis, I follow the method of close reading, and as part of this approach, I also explore traces of biblical intertextuality. As a result of theoretical reflection and interpretation, I draw two important conclusions: (1) For investigators, reading texts constitutes an effective and indispensable instrument for reconstructing the past, thus uncovering the truth and revealing the perpetrator. (2) The reading events depicted in the novel refer to experiences and conceptual connections that justify discussing a kind of theology of reading: reading appears in the story as an intellectual activity that forms part of certain religious practices (penance, prayer, confession).