Creativity, Formula, and Constraint

Abstract This article identifies, explores, and resolves a tension between two common ideas about creativity. The first is that a project is less creative insofar as it adheres to a formula of some kind. The second is that a project’s being carried out within a set of constraints does not necessarily make it less creative. The tension arises from the fact that formulae and constraints operate in the same manner. They reduce the set of options for an agent undertaking some project. How could it be that reducing an agent’s options both does and does not make their project less creative? I resolve this tension by arguing that the first idea is false and should be replaced with the claim that a project is less creative insofar as the decisions that comprise it are dictated by a formula rather than being attributable to the agent. Finally, I employ a case study to demonstrate that there are ways in which formulae and constraints can diminish creativity and ways in which they can have no effect, or perhaps even enhance creativity.

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Publication Details

Journal
Journal of Aesthetics and Art Criticism
Published
2026-01-12
DOI
https://doi.org/10.1093/jaac/kpag003
Primary Topic
Game Theory and Applications
Type
article
Field-Weighted Citation Impact
0.00
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article

Creativity, Formula, and Constraint

Lindsay Brainard
Journal of Aesthetics and Art Criticism
Game Theory and Applications
article

Creativity, Formula, and Constraint

Lindsay Brainard
article en

Abstract

Abstract This article identifies, explores, and resolves a tension between two common ideas about creativity. The first is that a project is less creative insofar as it adheres to a formula of some kind. The second is that a project’s being carried out within a set of constraints does not necessarily make it less creative. The tension arises from the fact that formulae and constraints operate in the same manner. They reduce the set of options for an agent undertaking some project. How could it be that reducing an agent’s options both does and does not make their project less creative? I resolve this tension by arguing that the first idea is false and should be replaced with the claim that a project is less creative insofar as the decisions that comprise it are dictated by a formula rather than being attributable to the agent. Finally, I employ a case study to demonstrate that there are ways in which formulae and constraints can diminish creativity and ways in which they can have no effect, or perhaps even enhance creativity.

Journal of Aesthetics and Art Criticism
University of Alabama at Birmingham (US)
Reduced inequalities
Openalex Percentile: Top 53%
Game Theory and Applications
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