The Quest of the Absolute: Spinoza and Sartre

In 1948 Sartre wrote an essay about the absolute space in Alberto Giacometti’s sculptures. This notion of absolute space is also used by Gilles Deleuze, inspired by the art critic and philosopher Henri Maldiney, in his approach of the notion of essence in Spinoza. In the first part of this article, I explain what this absolute space is about, and how it helps us to better understand Spinoza’s theory of the relation between essences and existence of modi in their relationship with—and dependency of—the substance. In a second part, I explain Sartre’s notion of absolute space in order to illustrate his inversion of the relation of essence and existence, and what this inversion means on a metaphysical level. I conclude with the suggestion that Sartre’s early philosophy and his notion of absolute consciousness and freedom can be interpreted as a kind of Spinozism, stripped of its essences.