Technology and the emergence of performance capture

This chapter explores the milestone of performance capture technology in actor training, focusing on Andy Serkis’s groundbreaking work in “The Lord of the Rings” trilogy. It discusses how Serkis’s full-bodied approach to the character of Gollum redefined the relationship between actor and digital avatar, legitimising virtual performance as a significant art form. The chapter examines the broader implications of this milestone for actor training, performance practices across media, and the expanding opportunities presented by digital and extended reality technologies. Finally, it considers the future of actor training in a rapidly evolving digital landscape, emphasising the importance of adaptability and technical proficiency alongside traditional skills.

Authors

Publication Details

Journal
ePrints Soton (University of Southampton)
Published
2025-11-12
Primary Topic
Theatre and Performance Studies
Type
article
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article

Technology and the emergence of performance capture

Boyd Branch
ePrints Soton (University of Southampton)
Theatre and Performance Studies
article

Technology and the emergence of performance capture

Boyd Branch
article en

Abstract

This chapter explores the milestone of performance capture technology in actor training, focusing on Andy Serkis’s groundbreaking work in “The Lord of the Rings” trilogy. It discusses how Serkis’s full-bodied approach to the character of Gollum redefined the relationship between actor and digital avatar, legitimising virtual performance as a significant art form. The chapter examines the broader implications of this milestone for actor training, performance practices across media, and the expanding opportunities presented by digital and extended reality technologies. Finally, it considers the future of actor training in a rapidly evolving digital landscape, emphasising the importance of adaptability and technical proficiency alongside traditional skills.

ePrints Soton (University of Southampton)
Openalex Percentile: Top 7%
Theatre and Performance Studies
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Technology and the emergence of performance capture — Boyd Branch · ePrints Soton (University of Southampton) (2025) | TGRS Research Map | TGRS