Glasba in ospoljenost podob v Händlovem oratoriju La Bellezza ravveduta nel trionfo del Tempo e del Disinganno (1707), njegove predelave in sodobne uprizoritve

George Frideric Handel’s oratorio La Bellezza ravveduta (1707) and its two later reworkings, Il trionfo del Tempo e della Verità (1737) and The Triumph of Time and Truth (1757), differ in musical content and in how the allegorical characters are coded in terms of gender. A comparative analysis showcases their wide interpretative range in selected twenty-first-century stagings.

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Publication Details

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DiRROS repository (University of Maribor)
Published
2025-11-13
Primary Topic
Musicology and Musical Analysis
Type
article
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article

Glasba in ospoljenost podob v Händlovem oratoriju La Bellezza ravveduta nel trionfo del Tempo e del Disinganno (1707), njegove predelave in sodobne uprizoritve

Ivan Ćurković
DiRROS repository (University of Maribor)
Musicology and Musical Analysis
article

Glasba in ospoljenost podob v Händlovem oratoriju La Bellezza ravveduta nel trionfo del Tempo e del Disinganno (1707), njegove predelave in sodobne uprizoritve

Ivan Ćurković
article en

Abstract

George Frideric Handel’s oratorio La Bellezza ravveduta (1707) and its two later reworkings, Il trionfo del Tempo e della Verità (1737) and The Triumph of Time and Truth (1757), differ in musical content and in how the allegorical characters are coded in terms of gender. A comparative analysis showcases their wide interpretative range in selected twenty-first-century stagings.

DiRROS repository (University of Maribor)
Gender equality
Openalex Percentile: Top 8%
Musicology and Musical Analysis
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Glasba in ospoljenost podob v Händlovem oratoriju La Bellezza ravveduta nel trionfo del Tempo e del Disinganno (1707), njegove predelave in sodobne uprizoritve — Ivan Ćurković · DiRROS repository (University of Maribor) (2025) | TGRS Research Map | TGRS