“Say more?” Refusal, resonance, and the feminist ear in academic review

In this arts-based inquiry, we explore how feminist ways of being can shape and reshape the practice of academic review. Drawing on experiences of being reviewed, we story moments of discomfort where we were pushed to “say more” or offer more of ourselves (e.g. about our identities, femininity, and trauma) by academic peers in response to sharing embodied or reflexive work. We focus on key moments when we balked, felt hesitance and/or declined these review requests to generatively consider how academic environments of consumption can cross boundaries and demand disclosure(s). Drawing inspiration from Ahmed's “feminist ear”—a mode of listening through subtext, signaling, and silence—we invite academics engaging with personal, embodied works to rethink review norms that rely on “interrogation.” We surface tensions within academic responsibilities to challenge peers, and suggest review approaches that tune feminist ears to responses that reverberate the source sounds authors choose to offer.

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Publication Details

Journal
Qualitative Research
Published
2026-02-17
DOI
https://doi.org/10.1177/14687941261420118
Primary Topic
Qualitative Research Methods and Ethics
Type
article
Field-Weighted Citation Impact
0.00
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article

“Say more?” Refusal, resonance, and the feminist ear in academic review

Kathleen A. Hare, Amber Moore
Qualitative Research
Qualitative Research Methods and Ethics
article

“Say more?” Refusal, resonance, and the feminist ear in academic review

Kathleen A. Hare, Amber Moore
article en

Abstract

In this arts-based inquiry, we explore how feminist ways of being can shape and reshape the practice of academic review. Drawing on experiences of being reviewed, we story moments of discomfort where we were pushed to “say more” or offer more of ourselves (e.g. about our identities, femininity, and trauma) by academic peers in response to sharing embodied or reflexive work. We focus on key moments when we balked, felt hesitance and/or declined these review requests to generatively consider how academic environments of consumption can cross boundaries and demand disclosure(s). Drawing inspiration from Ahmed's “feminist ear”—a mode of listening through subtext, signaling, and silence—we invite academics engaging with personal, embodied works to rethink review norms that rely on “interrogation.” We surface tensions within academic responsibilities to challenge peers, and suggest review approaches that tune feminist ears to responses that reverberate the source sounds authors choose to offer.

Qualitative Research
University of British Columbia (CA), University Canada West (CA)
Gender equality
Openalex Percentile: Top 58%
Qualitative Research Methods and Ethics
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“Say more?” Refusal, resonance, and the feminist ear in academic review — Kathleen A. Hare, Amber Moore · Qualitative Research (2026) | TGRS Research Map | TGRS