Integrating Multicultural Children’s Songs into Beginner Sompoton Instruction

HRMARS - The sompoton is a traditional bamboo mouth organ of the Kadazan Dusun community in Sabah, East Malaysia, yet it remains underrepresented in formal school music education due to the lack of developmentally sequenced instructional materials for beginner learners. Existing educational practices have largely relied on demonstration-based approaches, with limited pedagogical structuring. Situated within Malaysia’s multicultural education context, this study develops a pedagogical design for beginner sompoton instruction using multicultural children’s songs. Adopting a qualitative research approach, children’s songs from Kadazan Dusun, Rungus, Malay, and Chinese traditions were analysed and selected using a Kodály-based analytical framework, drawing on criteria such as tone set, pitch range, rhythmic patterns, phrase structure, and a comfortable starting pitch. From an initial corpus of 137 songs, 37 were identified as pedagogically suitable and organised into a developmentally sequenced instructional framework. Instructional activities were designed following a singing-to-playing trajectory, informed by core principles of Kodály pedagogy, particularly singing-based preparation and sequential pitch progression. The study proposes a structured yet flexible pedagogical design that supports culturally responsive and developmentally appropriate beginner sompoton instruction.

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Publication Details

Journal
International Journal of Academic Research in Progressive Education and Development
Published
2026-02-16
DOI
https://doi.org/10.6007/ijarped/v15-i1/27694
Primary Topic
Diverse Music Education Insights
Type
article
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article

Integrating Multicultural Children’s Songs into Beginner Sompoton Instruction

Jinky Jane C.Simeon, Yiqin .
International Journal of Academic Research in Progressive Education and Development
Diverse Music Education Insights
article

Integrating Multicultural Children’s Songs into Beginner Sompoton Instruction

Jinky Jane C.Simeon, Yiqin .
article en

Abstract

HRMARS - The sompoton is a traditional bamboo mouth organ of the Kadazan Dusun community in Sabah, East Malaysia, yet it remains underrepresented in formal school music education due to the lack of developmentally sequenced instructional materials for beginner learners. Existing educational practices have largely relied on demonstration-based approaches, with limited pedagogical structuring. Situated within Malaysia’s multicultural education context, this study develops a pedagogical design for beginner sompoton instruction using multicultural children’s songs. Adopting a qualitative research approach, children’s songs from Kadazan Dusun, Rungus, Malay, and Chinese traditions were analysed and selected using a Kodály-based analytical framework, drawing on criteria such as tone set, pitch range, rhythmic patterns, phrase structure, and a comfortable starting pitch. From an initial corpus of 137 songs, 37 were identified as pedagogically suitable and organised into a developmentally sequenced instructional framework. Instructional activities were designed following a singing-to-playing trajectory, informed by core principles of Kodály pedagogy, particularly singing-based preparation and sequential pitch progression. The study proposes a structured yet flexible pedagogical design that supports culturally responsive and developmentally appropriate beginner sompoton instruction.

International Journal of Academic Research in Progressive Education and DevelopmentVol. 15(1)
Quality Education
Openalex Percentile: Top 64%
Diverse Music Education Insights
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Integrating Multicultural Children’s Songs into Beginner Sompoton Instruction — Jinky Jane C.Simeon, Yiqin . · International Journal of Academic Research in Progressive Education and Development (2026) | TGRS Research Map | TGRS