Lombard Sculpture: Archaeology of a Historiographical Concept

This article explores the formation and affirmation of the myth of the «Lombard style» examining two centuries of literary production in Great Britain and in the United States. It aims to excavate how the concept of Lombard art was shaped and transformed across time, and the historical, cultural, or artistic motivations that led scholars to regard it as an exceptional style.

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Publication Details

Journal
Fenestella Inside Medieval Art
Published
2026-02-16
DOI
https://doi.org/10.54103/fenestella/29283
Primary Topic
Art, Politics, and Modernism
Type
article
Field-Weighted Citation Impact
0.00
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article

Lombard Sculpture: Archaeology of a Historiographical Concept

Michele Vescovi
Fenestella Inside Medieval Art
Art, Politics, and Modernism
article

Lombard Sculpture: Archaeology of a Historiographical Concept

Michele Vescovi
article en

Abstract

This article explores the formation and affirmation of the myth of the «Lombard style» examining two centuries of literary production in Great Britain and in the United States. It aims to excavate how the concept of Lombard art was shaped and transformed across time, and the historical, cultural, or artistic motivations that led scholars to regard it as an exceptional style.

Fenestella Inside Medieval ArtVol. 6
University of Lincoln (GB)
Sustainable cities and communities
Openalex Percentile: Top 58%
Art, Politics, and Modernism
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Lombard Sculpture: Archaeology of a Historiographical Concept — Michele Vescovi · Fenestella Inside Medieval Art (2026) | TGRS Research Map | TGRS