The Dark Face of a Cultural Festival: Xenophobic Representations and Hate Discourse Against Catalans and Valencian Nationalists in Fallas

Abstract Festive culture is often analysed as a manifestation of spontaneity, creativity, popular culture, and humour, as well as an opportunity to express territorial identity. However, these rituals and their artistic expressions can also manifest hateful and contemptuous discourses toward national and cultural minorities, as observed in some European carnival celebrations. In the case of Valencia, from the Francoist dictatorship onwards, the festive culture was controlled by a political and social elite right and extreme right group, which instrumentalised the celebration as a political tool. Thus, these phenomena can be observed with the proliferation of hate speech against social and political minorities as Catalan and Valencian nationalists, depicting them as animals, traitors and enemies of Valencian and Spanish identity and exposing them in public space to shame them. This phenomenon was radicalised at the end of 2015 with the mobilisation of the Spanish right and far right to counter the left and nationalist government of the city, despite the Fallas’ adherence to UNESCO principles to promote understanding and dialogue between cultures and nationalities.

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Publication Details

Journal
Nationalities Papers
Published
2026-02-16
DOI
https://doi.org/10.1017/nps.2025.10124
Primary Topic
Diverse Musicological Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The Dark Face of a Cultural Festival: Xenophobic Representations and Hate Discourse Against Catalans and Valencian Nationalists in Fallas

Joaquim Rius-Ulldemolins, Pau Díaz
Nationalities Papers
Diverse Musicological Studies
article

The Dark Face of a Cultural Festival: Xenophobic Representations and Hate Discourse Against Catalans and Valencian Nationalists in Fallas

Joaquim Rius-Ulldemolins, Pau Díaz
article en

Abstract

Abstract Festive culture is often analysed as a manifestation of spontaneity, creativity, popular culture, and humour, as well as an opportunity to express territorial identity. However, these rituals and their artistic expressions can also manifest hateful and contemptuous discourses toward national and cultural minorities, as observed in some European carnival celebrations. In the case of Valencia, from the Francoist dictatorship onwards, the festive culture was controlled by a political and social elite right and extreme right group, which instrumentalised the celebration as a political tool. Thus, these phenomena can be observed with the proliferation of hate speech against social and political minorities as Catalan and Valencian nationalists, depicting them as animals, traitors and enemies of Valencian and Spanish identity and exposing them in public space to shame them. This phenomenon was radicalised at the end of 2015 with the mobilisation of the Spanish right and far right to counter the left and nationalist government of the city, despite the Fallas’ adherence to UNESCO principles to promote understanding and dialogue between cultures and nationalities.

Nationalities Papers
Universitat de València (ES)
Peace, Justice and strong institutions
Openalex Percentile: Top 65%
Diverse Musicological Studies
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The Dark Face of a Cultural Festival: Xenophobic Representations and Hate Discourse Against Catalans and Valencian Nationalists in Fallas — Joaquim Rius-Ulldemolins, Pau Díaz · Nationalities Papers (2026) | TGRS Research Map | TGRS