Incendiary women: Edith Thomas, the Second World War and writing women into history

This article examines the wartime writing of French resister and historian Edith Thomas. It argues that Thomas's collection of fictional clandestine short stories, Contes d’Auxois (1943), provides an early social history of the French Resistance. It interprets such wartime writing as offering contemporary insights into women's contributions to the Resistance, key aspects of which would be taken up by later generations of historians. The article then examines how Thomas's personal experiences of the Resistance impacted her post-war work as a social and cultural historian. It reads her choice to write women back into history as one inflected by her resistance activism. The article ends by reading Thomas's Les Pétroleuses (1963) as a collective feminist biography that creates transhistorical connections between the ‘incendiary women’ of the Paris Commune and women's wartime resistance. In so doing, Thomas coopts the maligned women communards of 1870 to a Republican tradition of popular revolt in an act of feminist recuperation and celebration across centuries.

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Publication Details

Journal
French Cultural Studies
Published
2026-02-16
DOI
https://doi.org/10.1177/09571558261421396
Primary Topic
French Historical and Cultural Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Incendiary women: Edith Thomas, the Second World War and writing women into history

Claire Gorrara
French Cultural Studies
French Historical and Cultural Studies
article

Incendiary women: Edith Thomas, the Second World War and writing women into history

Claire Gorrara
article en

Abstract

This article examines the wartime writing of French resister and historian Edith Thomas. It argues that Thomas's collection of fictional clandestine short stories, Contes d’Auxois (1943), provides an early social history of the French Resistance. It interprets such wartime writing as offering contemporary insights into women's contributions to the Resistance, key aspects of which would be taken up by later generations of historians. The article then examines how Thomas's personal experiences of the Resistance impacted her post-war work as a social and cultural historian. It reads her choice to write women back into history as one inflected by her resistance activism. The article ends by reading Thomas's Les Pétroleuses (1963) as a collective feminist biography that creates transhistorical connections between the ‘incendiary women’ of the Paris Commune and women's wartime resistance. In so doing, Thomas coopts the maligned women communards of 1870 to a Republican tradition of popular revolt in an act of feminist recuperation and celebration across centuries.

French Cultural Studies
Universidad de Londres (MX)
Gender equality
Openalex Percentile: Top 56%
French Historical and Cultural Studies
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