Acoustic Features of Emotional Vocalizations Account for Early Modulations of Event‐Related Brain Potentials

Emotion is key to human communication, and inferring emotion in a speaker's voice is a cross-cultural and cross-linguistic capability. Electroencephalography (EEG) studies of neural mechanisms supporting emotion perception have reported that early components of the event-related potential (ERP) are modulated by emotion. However, the nature of emotion's effect, especially on the P200 component, is disputed. We hypothesized that early acoustic features of emotional utterances might account for ERP modulations previously attributed to emotion. We recorded multi-channel EEG from healthy participants (n = 30) tasked with recognizing the emotion of utterances. We used 50 vocalizations in five emotions-anger, happiness, neutral, sadness and pleasure-drawn from the Montreal Affective Voices dataset. We statistically quantified instantaneous associations between ERP amplitudes, emotion categories, and acoustic features, specifically, intensity, pitch, first formant, and second formant. We found that shortly after utterance onset (120-250 ms, i.e., P200, early P300) ERP amplitude for sad vocalizations was less than for other emotional categories. Moreover, ERP amplitude at around 180 ms for happy vocalization was less than for anger, sadness, and pleasure. Our analysis showed that acoustic intensity explains most of these early-latency effects. We also found that, at longer latency (220-500 ms; late P200, P300) ERP amplitude for neutral vocalizations was less than for other emotional categories. Furthermore, there were also ERP differences between anger and happiness, anger and pleasure, anger and sadness, happiness and pleasure, as well as happiness and sadness in shorter windows during this late period. Acoustic pitch and, to a lesser degree, acoustic intensity explain most of these later effects. We conclude that acoustic features can account for early ERP modulations evoked by emotional utterances. Because previous studies used a variety of stimuli, our result likely resolves previous disputes on emotion's effect on P200.

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Publication Details

Journal
Psychophysiology
Published
2026-02-01
DOI
https://doi.org/10.1111/psyp.70250
Primary Topic
Neuroscience and Music Perception
Type
article
Field-Weighted Citation Impact
0.00

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article

Acoustic Features of Emotional Vocalizations Account for Early Modulations of Event‐Related Brain Potentials

Luke E. Hallum, Paul Michael Corballis, Yichen Tang
Psychophysiology
Neuroscience and Music Perception
article

Acoustic Features of Emotional Vocalizations Account for Early Modulations of Event‐Related Brain Potentials

Luke E. Hallum, Paul Michael Corballis, Yichen Tang
article en

Abstract

Emotion is key to human communication, and inferring emotion in a speaker's voice is a cross-cultural and cross-linguistic capability. Electroencephalography (EEG) studies of neural mechanisms supporting emotion perception have reported that early components of the event-related potential (ERP) are modulated by emotion. However, the nature of emotion's effect, especially on the P200 component, is disputed. We hypothesized that early acoustic features of emotional utterances might account for ERP modulations previously attributed to emotion. We recorded multi-channel EEG from healthy participants (n = 30) tasked with recognizing the emotion of utterances. We used 50 vocalizations in five emotions-anger, happiness, neutral, sadness and pleasure-drawn from the Montreal Affective Voices dataset. We statistically quantified instantaneous associations between ERP amplitudes, emotion categories, and acoustic features, specifically, intensity, pitch, first formant, and second formant. We found that shortly after utterance onset (120-250 ms, i.e., P200, early P300) ERP amplitude for sad vocalizations was less than for other emotional categories. Moreover, ERP amplitude at around 180 ms for happy vocalization was less than for anger, sadness, and pleasure. Our analysis showed that acoustic intensity explains most of these early-latency effects. We also found that, at longer latency (220-500 ms; late P200, P300) ERP amplitude for neutral vocalizations was less than for other emotional categories. Furthermore, there were also ERP differences between anger and happiness, anger and pleasure, anger and sadness, happiness and pleasure, as well as happiness and sadness in shorter windows during this late period. Acoustic pitch and, to a lesser degree, acoustic intensity explain most of these later effects. We conclude that acoustic features can account for early ERP modulations evoked by emotional utterances. Because previous studies used a variety of stimuli, our result likely resolves previous disputes on emotion's effect on P200.

PsychophysiologyVol. 63(2)
University of Auckland (NZ), Auckland University of Technology (NZ)
University of Auckland
Openalex Percentile: Top 56%
Neuroscience and Music Perception
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