Prispevki h psihologiji obiskovalca kina

The text aims to describe the experiences of the cinemagoer by analyzing complexes of lived experiences as being composed of presentations, feelings, and judgments. These experiences are discussed with regard to the status of sensations and the object constituted by the goer. The study examines the types and features of experiences expressed by film characters by scrutinizing the theory of sympathy (Einfühlung). Moreover, the status and meaning of music in the cinemagoer’s lived experiences is explored