How Wooden Design Enhances User Satisfaction in Concert Halls: The Serial Mediating Roles of Flow Experience and Place Attachment

In the field of cultural architecture design, the deep impact mechanisms of wooden material design perception on users’ psychological experiences have not yet been fully elucidated. The interior environmental design of concert halls, as venues for immersive artistic experiences, especially the use of natural materials such as wood, is considered a key factor shaping audience perception and experience. However, existing research has largely focused on the acoustic performance of or visual preferences for wooden materials, while there remains a lack of mechanistic explanations for how wooden design perception systematically enhances users’ overall satisfaction through a series of internal psychological processes. Based on the “stimulus–organism–response” theoretical framework, this study proposes a chain mediation model aimed at exploring how perception of wooden design in concert halls enhances user satisfaction by promoting users’ flow experience and subsequently strengthening their place attachment. Through a cross-sectional survey of 1017 audiences with actual experience in wooden concert halls and analysis of the data using covariance-based structural equation modeling, the findings reveal that: (1) perception of wooden design has a significant direct positive effect on user satisfaction; (2) both flow experience and place attachment independently mediate the influence of wooden design perception on user satisfaction; (3) there exists a significant chain mediation path: “perception of wooden design → flow experience → place attachment → user satisfaction”. This study validates, from an architectural psychology perspective, the role of flow and place attachment as consecutive psychological mechanisms. The research provides empirical evidence for architects to use wood as a psychological intervention tool in cultural spaces, transforming material selection from an aesthetic consideration into a systematic design strategy with measurable psychological outcomes.

Authors

Institutions

Publication Details

Journal
Buildings
Published
2026-02-13
DOI
https://doi.org/10.3390/buildings16040765
Primary Topic
Urban Green Space and Health
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

How Wooden Design Enhances User Satisfaction in Concert Halls: The Serial Mediating Roles of Flow Experience and Place Attachment

Xiaolong Chen, Hongfeng Zhang, Tianjiao Wang, Linxi Yang et al.
Buildings
Urban Green Space and Health
article

How Wooden Design Enhances User Satisfaction in Concert Halls: The Serial Mediating Roles of Flow Experience and Place Attachment

Xiaolong Chen, Hongfeng Zhang, Tianjiao Wang, Linxi Yang, Zitong Zhan
article en

Abstract

In the field of cultural architecture design, the deep impact mechanisms of wooden material design perception on users’ psychological experiences have not yet been fully elucidated. The interior environmental design of concert halls, as venues for immersive artistic experiences, especially the use of natural materials such as wood, is considered a key factor shaping audience perception and experience. However, existing research has largely focused on the acoustic performance of or visual preferences for wooden materials, while there remains a lack of mechanistic explanations for how wooden design perception systematically enhances users’ overall satisfaction through a series of internal psychological processes. Based on the “stimulus–organism–response” theoretical framework, this study proposes a chain mediation model aimed at exploring how perception of wooden design in concert halls enhances user satisfaction by promoting users’ flow experience and subsequently strengthening their place attachment. Through a cross-sectional survey of 1017 audiences with actual experience in wooden concert halls and analysis of the data using covariance-based structural equation modeling, the findings reveal that: (1) perception of wooden design has a significant direct positive effect on user satisfaction; (2) both flow experience and place attachment independently mediate the influence of wooden design perception on user satisfaction; (3) there exists a significant chain mediation path: “perception of wooden design → flow experience → place attachment → user satisfaction”. This study validates, from an architectural psychology perspective, the role of flow and place attachment as consecutive psychological mechanisms. The research provides empirical evidence for architects to use wood as a psychological intervention tool in cultural spaces, transforming material selection from an aesthetic consideration into a systematic design strategy with measurable psychological outcomes.

BuildingsVol. 16(4)
University of Bristol (GB), Macao Polytechnic University (MO), Newcastle University (GB)
Sustainable cities and communities
Openalex Percentile: Top 59%
Urban Green Space and Health
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.