Artistic Honesty <i>BSA Prize Essay</i> , 2024

Abstract We use the terms ‘honest’ and ‘dishonest’ in many ways in the artistic domain. One use of the term ‘honest’ is honorific and constitutes a positive artistic evaluation of artworks. In this paper, I explore the highest form of honesty in art. I establish a set of four desiderata on accounts of it and assess three accounts in relation to them. The first is a cousin of orthodox ‘privativist’ accounts of moral honesty. The second I call the ‘authentic self-expression view’. It says that an artwork is honest when it authentically and adequately expresses the (emotional) perspective of its author. After raising worries for both of these accounts and motivating the development of a different approach, I introduce the ‘communicative theory’ of artistic honesty. I formulate this view—on which artworks are honest when they confront and clarify difficult truths—and defend it against the four desiderata.

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Publication Details

Journal
The British Journal of Aesthetics
Published
2025-06-16
DOI
https://doi.org/10.1093/aesthj/ayaf025
Primary Topic
Ethics, Aesthetics, and Art
Type
article
Field-Weighted Citation Impact
0.00
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article

Artistic Honesty BSA Prize Essay , 2024

Jeremy Page
The British Journal of Aesthetics
Ethics, Aesthetics, and Art
article

Artistic Honesty BSA Prize Essay , 2024

Jeremy Page
article en

Abstract

Abstract We use the terms ‘honest’ and ‘dishonest’ in many ways in the artistic domain. One use of the term ‘honest’ is honorific and constitutes a positive artistic evaluation of artworks. In this paper, I explore the highest form of honesty in art. I establish a set of four desiderata on accounts of it and assess three accounts in relation to them. The first is a cousin of orthodox ‘privativist’ accounts of moral honesty. The second I call the ‘authentic self-expression view’. It says that an artwork is honest when it authentically and adequately expresses the (emotional) perspective of its author. After raising worries for both of these accounts and motivating the development of a different approach, I introduce the ‘communicative theory’ of artistic honesty. I formulate this view—on which artworks are honest when they confront and clarify difficult truths—and defend it against the four desiderata.

The British Journal of Aesthetics
University of Oxford (GB)
Openalex Percentile: Top 8%
Ethics, Aesthetics, and Art
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