On Stochastic Picassos and Why Vision Language Models Cannot Replace Artists

Abstract Vision Language Models (VLMs), like DALL-E, Midjourney, and Stable Diffusion, have raised significant concerns regarding authorship and whether AI-generated images devalue artistic practices and traditions. Recently, some have argued that VLMs should be viewed as another tool that artists use to generate their creative outputs. I defend this position and expand on it by introducing an account of agency that demonstrates that only biological agents, at least for now, possess the necessary powers to be responsible for the act of creation (for example, the capacity to realize autonomous goal-directed actions and manipulate affordances). I ultimately argue that although VLMs afford artists the ability to output high-quality images with minimal technical skill, creating artworks that are artistically valued using VLMs will require significant ingenuity. Therefore, in my view, concerns that this new tool will blur the lines of authorship and undermine artistic practices and traditions are unwarranted.

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Publication Details

Journal
Journal of Aesthetics and Art Criticism
Published
2025-12-20
DOI
https://doi.org/10.1093/jaac/kpaf051
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

On Stochastic Picassos and Why Vision Language Models Cannot Replace Artists

Dan Durso
Journal of Aesthetics and Art Criticism
Aesthetic Perception and Analysis
article

On Stochastic Picassos and Why Vision Language Models Cannot Replace Artists

Dan Durso
article en

Abstract

Abstract Vision Language Models (VLMs), like DALL-E, Midjourney, and Stable Diffusion, have raised significant concerns regarding authorship and whether AI-generated images devalue artistic practices and traditions. Recently, some have argued that VLMs should be viewed as another tool that artists use to generate their creative outputs. I defend this position and expand on it by introducing an account of agency that demonstrates that only biological agents, at least for now, possess the necessary powers to be responsible for the act of creation (for example, the capacity to realize autonomous goal-directed actions and manipulate affordances). I ultimately argue that although VLMs afford artists the ability to output high-quality images with minimal technical skill, creating artworks that are artistically valued using VLMs will require significant ingenuity. Therefore, in my view, concerns that this new tool will blur the lines of authorship and undermine artistic practices and traditions are unwarranted.

Journal of Aesthetics and Art Criticism
University of Illinois Urbana-Champaign (US)
Openalex Percentile: Top 26%
Aesthetic Perception and Analysis
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