"I call it praise to suffer tyranny": The rhetoric of love as wholly painful in Astrophil and Stella's Sonnet II

For Sidney's tortured protagonist of his sonnet sequence Astrophil and Stella, effective rhetoric is the only way in which he can articulate anguished feelings about his desired. This essay will contend that in Astrophil and Stella, and Sonnet II in particular, Astrophil uses rhetoric to deplete love of any joy or positivity and present it as a wholly painful experience without merit. To examine this idea, this essay will scrutinise each of the first three stages of oration in turn: inventio (external location of source material), disposition (textual arrangement of material), and elocutio (textual stylization of material).

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Publication Details

Journal
Knowledge Commons (Lakehead University)
Published
2024-10-10
DOI
https://doi.org/10.17613/cg9rc-mp327
Primary Topic
Samuel Beckett and Modernism
Type
article
Field-Weighted Citation Impact
0.00
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article

"I call it praise to suffer tyranny": The rhetoric of love as wholly painful in Astrophil and Stella's Sonnet II

E. Sharon Mason
Knowledge Commons (Lakehead University)
Samuel Beckett and Modernism
article

"I call it praise to suffer tyranny": The rhetoric of love as wholly painful in Astrophil and Stella's Sonnet II

E. Sharon Mason
article en

Abstract

For Sidney's tortured protagonist of his sonnet sequence Astrophil and Stella, effective rhetoric is the only way in which he can articulate anguished feelings about his desired. This essay will contend that in Astrophil and Stella, and Sonnet II in particular, Astrophil uses rhetoric to deplete love of any joy or positivity and present it as a wholly painful experience without merit. To examine this idea, this essay will scrutinise each of the first three stages of oration in turn: inventio (external location of source material), disposition (textual arrangement of material), and elocutio (textual stylization of material).

Knowledge Commons (Lakehead University)
University of Oxford (GB)
Peace, Justice and strong institutions
Openalex Percentile: Top 12%
Samuel Beckett and Modernism
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