analysing the earliest collection of magic lantern glass slides in Portugal

The magic lantern, developed in the mid-17th century, was the first optical instrument for projecting transparent images painted on glass slides. It became a powerful tool for scientific and religious education, entertainment, and advertising throughout the 18th and 19th centuries. This study presents the first multi-analytical characterisation of 20 hand-painted glass slides from the collection of the Science Museum of the University of Coimbra (Portugal). A predominantly in situ approach was employed, combining Micro Energy-Dispersive X-ray Fluorescence (μ-EDXRF) and Ultraviolet-Visible (UV-VIS), complemented by micro-sample analysis using Micro Fourier Transform Infrared (μ-FTIR) and Micro Raman Spectroscopies. The results provide insights into the materials and techniques used and enable an assessment of their conservation state at the microscopic level. By identifying different glass compositions and colourants, this study establishes correlations with historical written sources and comparable European slides, contributing to a better understanding of artists’ practices and supporting attribution and preservation decisions.

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Publication Details

Journal
Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)
Published
2025-12-13
Primary Topic
Cultural Heritage Materials Analysis
Type
article
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article

analysing the earliest collection of magic lantern glass slides in Portugal

Carla Machado, Márcia Vilarigues, Vanessa Otero, Sofia Mègre Pires et al.
Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)
Cultural Heritage Materials Analysis
article

analysing the earliest collection of magic lantern glass slides in Portugal

Carla Machado, Márcia Vilarigues, Vanessa Otero, Sofia Mègre Pires, Ângela Santos, Gilberto Pereira, Alexandra Rodrigues
article en

Abstract

The magic lantern, developed in the mid-17th century, was the first optical instrument for projecting transparent images painted on glass slides. It became a powerful tool for scientific and religious education, entertainment, and advertising throughout the 18th and 19th centuries. This study presents the first multi-analytical characterisation of 20 hand-painted glass slides from the collection of the Science Museum of the University of Coimbra (Portugal). A predominantly in situ approach was employed, combining Micro Energy-Dispersive X-ray Fluorescence (μ-EDXRF) and Ultraviolet-Visible (UV-VIS), complemented by micro-sample analysis using Micro Fourier Transform Infrared (μ-FTIR) and Micro Raman Spectroscopies. The results provide insights into the materials and techniques used and enable an assessment of their conservation state at the microscopic level. By identifying different glass compositions and colourants, this study establishes correlations with historical written sources and comparable European slides, contributing to a better understanding of artists’ practices and supporting attribution and preservation decisions.

Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)
Openalex Percentile: Top 14%
Cultural Heritage Materials Analysis
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