Farming Muslimness: A Critical Analysis of “The Kerala Story"

This study analyzes “The Kerala Story” (2023) to examine the representation of Muslims in the Bollywood film industry. This movie is selected as a case study through purposive sampling because of its depiction of Muslims in various scenes and dialogues. A critical approach was used to analyse this movie. Data was collected from online platforms such as YouTube, Google Chrome, and Movie Box used publicly. This study uses Fairclough’s (2003) Critical Discourse Analysis theory and Stuart Hall’s (1997) Representation Theory. The purpose of this study is to deconstruct the negative ideologies about Muslims and explore how different stereotypes and harmful misconceptions are perpetuated through this movie. The findings indicate the complex representation of Muslims in film, reflecting negative stereotypes, especially in the portrayal of manipulative figures of Muslims who forced non-Muslim Indian women to convert to Islam. This research contributes to our understanding of societal attitudes towards minority communities, specifically Muslims, that are shaped through popular cultures, highlighting the need for more balanced representation.

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Journal
SHILAP Revista de lepidopterología
Published
2024-09-01
Primary Topic
South Asian Cinema and Culture
Type
article
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article

Farming Muslimness: A Critical Analysis of “The Kerala Story"

Alesha Khan, Hamna Ghazanfar, Sarah shamshad
SHILAP Revista de lepidopterología
South Asian Cinema and Culture
article

Farming Muslimness: A Critical Analysis of “The Kerala Story"

Alesha Khan, Hamna Ghazanfar, Sarah shamshad
article en

Abstract

This study analyzes “The Kerala Story” (2023) to examine the representation of Muslims in the Bollywood film industry. This movie is selected as a case study through purposive sampling because of its depiction of Muslims in various scenes and dialogues. A critical approach was used to analyse this movie. Data was collected from online platforms such as YouTube, Google Chrome, and Movie Box used publicly. This study uses Fairclough’s (2003) Critical Discourse Analysis theory and Stuart Hall’s (1997) Representation Theory. The purpose of this study is to deconstruct the negative ideologies about Muslims and explore how different stereotypes and harmful misconceptions are perpetuated through this movie. The findings indicate the complex representation of Muslims in film, reflecting negative stereotypes, especially in the portrayal of manipulative figures of Muslims who forced non-Muslim Indian women to convert to Islam. This research contributes to our understanding of societal attitudes towards minority communities, specifically Muslims, that are shaped through popular cultures, highlighting the need for more balanced representation.

SHILAP Revista de lepidopterología
Bahauddin Zakariya University (PK)
Gender equality
Openalex Percentile: Top 10%
South Asian Cinema and Culture
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Farming Muslimness: A Critical Analysis of “The Kerala Story" — Alesha Khan, Hamna Ghazanfar, et al. · SHILAP Revista de lepidopterología (2024) | TGRS Research Map | TGRS