“Moving Heaven and Earth”: Visualizing Socialist Construction Campaigns in Mao-Era Propaganda Posters (1949–1978)

Abstract: This digital collection examines Mao-era propaganda posters (1949–1978) as powerful visual instruments that both reflected and mobilized socialist modernization and large-scale environmental transformation. Once ubiquitous across factories, communes, schools, and city streets, these images rallied millions by depicting heroic workers, monumental construction campaigns, and landscapes radically reshaped through collective will. From the Great Leap Forward to the Cultural Revolution, posters celebrated dam building, land reclamation, terracing, and other projects that framed nature as an adversary to be conquered. In doing so, they helped naturalize an anti-nature ideology that justified ecological disruption on an unprecedented scale. Revisiting these images reveals how visual culture legitimized extractive modernity and invites critical reflection on enduring global struggles over environment, progress, and power.

Authors

Publication Details

Journal
Advertising & Society Quarterly
Published
2025-12-01
DOI
https://doi.org/10.1353/asr.2025.a982333
Primary Topic
Chinese history and philosophy
Type
article
Field-Weighted Citation Impact
0.00
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article

“Moving Heaven and Earth”: Visualizing Socialist Construction Campaigns in Mao-Era Propaganda Posters (1949–1978)

Xinghua Li
Advertising & Society Quarterly
Chinese history and philosophy
article

“Moving Heaven and Earth”: Visualizing Socialist Construction Campaigns in Mao-Era Propaganda Posters (1949–1978)

Xinghua Li
article en

Abstract

Abstract: This digital collection examines Mao-era propaganda posters (1949–1978) as powerful visual instruments that both reflected and mobilized socialist modernization and large-scale environmental transformation. Once ubiquitous across factories, communes, schools, and city streets, these images rallied millions by depicting heroic workers, monumental construction campaigns, and landscapes radically reshaped through collective will. From the Great Leap Forward to the Cultural Revolution, posters celebrated dam building, land reclamation, terracing, and other projects that framed nature as an adversary to be conquered. In doing so, they helped naturalize an anti-nature ideology that justified ecological disruption on an unprecedented scale. Revisiting these images reveals how visual culture legitimized extractive modernity and invites critical reflection on enduring global struggles over environment, progress, and power.

Advertising & Society QuarterlyVol. 26(4)
Sustainable cities and communities
Openalex Percentile: Top 14%
Chinese history and philosophy
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