“Hey, Our Program Is Legitimate”: A Phenomenology of Mariachi Educators’ Experiences in Public Schools

The purpose of this phenomenological inquiry was to examine the lived experiences of public school mariachi teachers. Research questions included: (1) How did mariachi educators describe their lived experiences in public P–12 settings? and (2) What contextual factors influenced their lived experiences in schools? Participants were six educators in five different states who had more than 5 years of teaching experience. Findings included participants searching for mariachi education outside music teacher education programs, establishing and growing school mariachi programs, and navigating tensions related to institutionalization, including assimilation to school music norms such as competition and notation-based instruction. Implications include the need for postsecondary institutions to partner with local professionals and community members to provide mariachi education to music teachers. In addition, we suggest that a decrease in the standardization of music teacher education programs according to the cultural variation of local communities could mitigate some institutional barriers to creating culturally sustaining musical experiences for P–12 students.

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Publication Details

Journal
Journal of Research in Music Education
Published
2026-02-10
DOI
https://doi.org/10.1177/00224294251414651
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
0.00
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article

“Hey, Our Program Is Legitimate”: A Phenomenology of Mariachi Educators’ Experiences in Public Schools

George Nicholson, Olivia Gail Tucker, Tyician Charles Knight
Journal of Research in Music Education
Diverse Music Education Insights
article

“Hey, Our Program Is Legitimate”: A Phenomenology of Mariachi Educators’ Experiences in Public Schools

George Nicholson, Olivia Gail Tucker, Tyician Charles Knight
article en

Abstract

The purpose of this phenomenological inquiry was to examine the lived experiences of public school mariachi teachers. Research questions included: (1) How did mariachi educators describe their lived experiences in public P–12 settings? and (2) What contextual factors influenced their lived experiences in schools? Participants were six educators in five different states who had more than 5 years of teaching experience. Findings included participants searching for mariachi education outside music teacher education programs, establishing and growing school mariachi programs, and navigating tensions related to institutionalization, including assimilation to school music norms such as competition and notation-based instruction. Implications include the need for postsecondary institutions to partner with local professionals and community members to provide mariachi education to music teachers. In addition, we suggest that a decrease in the standardization of music teacher education programs according to the cultural variation of local communities could mitigate some institutional barriers to creating culturally sustaining musical experiences for P–12 students.

Journal of Research in Music Education
University of Utah (US), Albuquerque Public Schools (US), University of Delaware (US)
Quality Education
Openalex Percentile: Top 71%
Diverse Music Education Insights
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“Hey, Our Program Is Legitimate”: A Phenomenology of Mariachi Educators’ Experiences in Public Schools — George Nicholson, Olivia Gail Tucker, et al. · Journal of Research in Music Education (2026) | TGRS Research Map | TGRS