The History of a Little-Known Monument by Estonian Sculptor Amandus Adamson

Monuments created by Estonian sculptor Amandus Adamson in the early 20th century in St Petersburg, Tallinn, Sevastopol and other places are dominant features of popular architectural ensembles in these cities. Adamson’s creative legacy – which includes a little-known large (more than two metre) sculpture of Peter I, the history of its creation and installation in 1916 and the statue’s subsequent fate – is explored in this article. Over the past century, the sculpture has disappeared and then been installed in a new location three times as a result of social cataclysms that occurred during this time. Each time the architectural community of the Ukrainian city of Poltava (where the sculpture is located) saved Adamson’s creatively successful work from destruction.

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Publication Details

Journal
Yearbook of Balkan and Baltic Studies
Published
2025-12-01
DOI
https://doi.org/10.7592/ybbs8.2.04
Primary Topic
Architecture, Modernity, and Design
Type
article
Field-Weighted Citation Impact
0.00
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article

The History of a Little-Known Monument by Estonian Sculptor Amandus Adamson

Vladimir V. Vaingort, NGO Kardis, Tallinn, Estonia
Yearbook of Balkan and Baltic Studies
Architecture, Modernity, and Design
article

The History of a Little-Known Monument by Estonian Sculptor Amandus Adamson

Vladimir V. Vaingort, NGO Kardis, Tallinn, Estonia
article en

Abstract

Monuments created by Estonian sculptor Amandus Adamson in the early 20th century in St Petersburg, Tallinn, Sevastopol and other places are dominant features of popular architectural ensembles in these cities. Adamson’s creative legacy – which includes a little-known large (more than two metre) sculpture of Peter I, the history of its creation and installation in 1916 and the statue’s subsequent fate – is explored in this article. Over the past century, the sculpture has disappeared and then been installed in a new location three times as a result of social cataclysms that occurred during this time. Each time the architectural community of the Ukrainian city of Poltava (where the sculpture is located) saved Adamson’s creatively successful work from destruction.

Yearbook of Balkan and Baltic StudiesVol. 8(2)
Tallinn University (EE)
Sustainable cities and communities
Openalex Percentile: Top 12%
Architecture, Modernity, and Design
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