From harm to harmony: Etel Adnan’s postcolonial ecological identity

This article presents a postcolonial ecocritical reading of three major works by Etel Adnan and examines how experiences of displacement inform her understanding of identity and her critique of anthropocentric worldviews. It argues that Adnan’s sustained engagement with the natural world allows her to reconceptualize the self as relational and embedded, rather than autonomous or sovereign. In distancing herself from identity formations rooted in fixed locales or exclusionary cultural frameworks, particularly those shaped by war and political conflict, Adnan turns to nature as a source of belonging and ethical orientation. Drawing on Susan Clayton’s concept of environmental identity, the article demonstrates how this form of identification cultivates responsibility toward both human and nonhuman worlds. The study ultimately suggests that Adnan’s work illuminates the capacity of dislocated subjects to articulate environmentally attentive modes of identity that support ecological awareness and collective responsibility.

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Publication Details

Journal
Cogent Arts and Humanities
Published
2026-02-09
DOI
https://doi.org/10.1080/23311983.2026.2627159
Primary Topic
Ecocriticism and Environmental Literature
Type
article
Field-Weighted Citation Impact
0.00
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article

From harm to harmony: Etel Adnan’s postcolonial ecological identity

Ohoud Othman Almaneea
Cogent Arts and Humanities
Ecocriticism and Environmental Literature
article

From harm to harmony: Etel Adnan’s postcolonial ecological identity

Ohoud Othman Almaneea
article en

Abstract

This article presents a postcolonial ecocritical reading of three major works by Etel Adnan and examines how experiences of displacement inform her understanding of identity and her critique of anthropocentric worldviews. It argues that Adnan’s sustained engagement with the natural world allows her to reconceptualize the self as relational and embedded, rather than autonomous or sovereign. In distancing herself from identity formations rooted in fixed locales or exclusionary cultural frameworks, particularly those shaped by war and political conflict, Adnan turns to nature as a source of belonging and ethical orientation. Drawing on Susan Clayton’s concept of environmental identity, the article demonstrates how this form of identification cultivates responsibility toward both human and nonhuman worlds. The study ultimately suggests that Adnan’s work illuminates the capacity of dislocated subjects to articulate environmentally attentive modes of identity that support ecological awareness and collective responsibility.

Cogent Arts and HumanitiesVol. 13(1)
Islamic University (BD)
Reduced inequalities
Openalex Percentile: Top 65%
Ecocriticism and Environmental Literature
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