Extended Reality Approaches to Cultural Representation: Spatializing the Experience of Traditional Chinese Opera

As one of the most representative cultural heritages, traditional Chinese opera is characterized by highly refined symbolic contexts and stylized narrative structures. Nevertheless, the contemporary generation often struggles with its abstract expression and language, leading to declining attendance. In addition, urbanization and digital entertainment have squeezed out its living spaces, increasing demand for more diverse experiences. To address these issues, this study conducts a systematic and thematically categorized review of the literature, exploring how extended reality (XR) reshapes the spatial and experiential representation of opera culture. Drawing upon the reality–virtuality continuum and spatial computing as theoretical foundations, the research investigates the features, workflows, and cultural adaptability of augmented reality (AR), virtual reality (VR), and mixed reality (MR), identifying how each modality of XR supports distinct modes of space generation and audience engagement. Through comparative analysis, we propose three XR-based approaches for reinterpreting Chinese opera: AR for theatrical spaces visualization, VR for performative narratives embodiment, and MR for opera cultural elements superposition. Overall, the research clarifies that XR can be used as a comprehensive medium to enhance replicability and user perception, contributing to the preservation and communication of humanity’s traditional culture.

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Publication Details

Journal
Heritage
Published
2026-02-04
DOI
https://doi.org/10.3390/heritage9020061
Primary Topic
Virtual Reality Applications and Impacts
Type
article
Field-Weighted Citation Impact
0.00

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article

Extended Reality Approaches to Cultural Representation: Spatializing the Experience of Traditional Chinese Opera

José Pedro Sousa, Heitor Alvelos, Tianyu Han
Heritage
Virtual Reality Applications and Impacts
article

Extended Reality Approaches to Cultural Representation: Spatializing the Experience of Traditional Chinese Opera

José Pedro Sousa, Heitor Alvelos, Tianyu Han
article en

Abstract

As one of the most representative cultural heritages, traditional Chinese opera is characterized by highly refined symbolic contexts and stylized narrative structures. Nevertheless, the contemporary generation often struggles with its abstract expression and language, leading to declining attendance. In addition, urbanization and digital entertainment have squeezed out its living spaces, increasing demand for more diverse experiences. To address these issues, this study conducts a systematic and thematically categorized review of the literature, exploring how extended reality (XR) reshapes the spatial and experiential representation of opera culture. Drawing upon the reality–virtuality continuum and spatial computing as theoretical foundations, the research investigates the features, workflows, and cultural adaptability of augmented reality (AR), virtual reality (VR), and mixed reality (MR), identifying how each modality of XR supports distinct modes of space generation and audience engagement. Through comparative analysis, we propose three XR-based approaches for reinterpreting Chinese opera: AR for theatrical spaces visualization, VR for performative narratives embodiment, and MR for opera cultural elements superposition. Overall, the research clarifies that XR can be used as a comprehensive medium to enhance replicability and user perception, contributing to the preservation and communication of humanity’s traditional culture.

HeritageVol. 9(2)
Universidade do Porto (PT), Lisbon School of Design (PT), INESC TEC (PT)
Fundação para a Ciência e a Tecnologia
Sustainable cities and communities
Openalex Percentile: Top 69%
Virtual Reality Applications and Impacts
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Extended Reality Approaches to Cultural Representation: Spatializing the Experience of Traditional Chinese Opera — José Pedro Sousa, Heitor Alvelos, et al. · Heritage (2026) | TGRS Research Map | TGRS