Dabloons, autopsy of a TikTok meme: Self-excitation and self-destruction in social media cultures

In this paper, we analyze the very short and yet very rich story of a TikTok meme: the rise and fall of the dabloon fictive currency. We examine this story as an example of self-exciting trendiness: a common internet dynamic in which trendiness and cultural vibrancy become inextricably intertwined. In the case of the dabloons and of many other memetic phenomena in TikTok and other platforms, this connection creates a spiraling cycle of popularity that is as potent as it is cursory. TikTokers understood all too well that the dabloon currency was going to be a fad, but, rather than being discouraged by this ephemerality, they pushed it to its extremes. Like many online communities, they doubled down on the transience of their subculture, and did so in the most literal way, using the inflation of their currency to first escalate and then implode the trend. The rise and fall of the dabloon trend offers a cautionary tale about the accelerated cycles of online cultures and internet memes: an illustration of how online communities can create culture not despite but by means of their ephemerality.

Authors

Institutions

Publication Details

Journal
Convergence The International Journal of Research into New Media Technologies
Published
2026-02-04
DOI
https://doi.org/10.1177/13548565261417919
Primary Topic
Humor Studies and Applications
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Dabloons, autopsy of a TikTok meme: Self-excitation and self-destruction in social media cultures

Francisco W. Kerche
Convergence The International Journal of Research into New Media Technologies
Humor Studies and Applications
article

Dabloons, autopsy of a TikTok meme: Self-excitation and self-destruction in social media cultures

Francisco W. Kerche
article en

Abstract

In this paper, we analyze the very short and yet very rich story of a TikTok meme: the rise and fall of the dabloon fictive currency. We examine this story as an example of self-exciting trendiness: a common internet dynamic in which trendiness and cultural vibrancy become inextricably intertwined. In the case of the dabloons and of many other memetic phenomena in TikTok and other platforms, this connection creates a spiraling cycle of popularity that is as potent as it is cursory. TikTokers understood all too well that the dabloon currency was going to be a fad, but, rather than being discouraged by this ephemerality, they pushed it to its extremes. Like many online communities, they doubled down on the transience of their subculture, and did so in the most literal way, using the inflation of their currency to first escalate and then implode the trend. The rise and fall of the dabloon trend offers a cautionary tale about the accelerated cycles of online cultures and internet memes: an illustration of how online communities can create culture not despite but by means of their ephemerality.

Convergence The International Journal of Research into New Media Technologies
University of Geneva (CH), Universidade de São Paulo (BR)
Reduced inequalities
Openalex Percentile: Top 72%
Humor Studies and Applications
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Dabloons, autopsy of a TikTok meme: Self-excitation and self-destruction in social media cultures — Francisco W. Kerche · Convergence The International Journal of Research into New Media Technologies (2026) | TGRS Research Map | TGRS