Claiming Place Through Visual Sovereignty—Articulations of Khoisan Belonging in Contemporary Cape Town

This article explores the reclamation of Khoisan identities in South Africa as a multifaceted process of cultural, spatial, and political resurgence. Framed within the country’s constitutional vision of a “Nation of Nations,” the research examines how Khoisan communities—historically marginalised and classified under apartheid as “Coloured”—are reasserting their Indigenous heritage through acts of cultural revival and place-based activism. Centred on Cape Town, the ancestral homeland and symbolic epicentre of both colonial encounter and Indigenous resurgence, the article theoretically investigates how creativity, heritage, and activism intersect in processes of reimagining, renaming, and retaking of place. Drawing on theories of visual sovereignty and re-placement, it analyses how visual and performative practices—ranging from protest art and language revitalisation to heritage occupations—function as decolonial acts that reclaim both the image and meaning of place. The article situates the Khoisan revival within broader global movements of Indigenous self-representation and argues that reclaiming place constitutes a living form of sovereignty, restoring relational networks between people, land, and identity. Ultimately, it demonstrates that contemporary Khoisan activism transforms visibility into agency, using culture and creativity as tools to rewrite belonging and to decolonise South Africa’s cultural landscape.