‘It doesn’t make me feel the way you do’: Reading dating apps and digital intimacies in Smiley (Netflix 2022)

This article examines Smiley (2022), a Catalan- and Spanish-language LGBTQ+ romantic comedy on Netflix, as a critical intervention in debates over digital intimacies and platform-mediated relationships. As both romcoms and relationships themselves become increasingly platformized, the article analyses how the series visualizes the digital enclosure of dating through split-screen aesthetics and palimpsestic overlays, formally mirroring the fragmented, gamified nature of dating/hook-up apps like Grindr. Smiley dramatizes the affective labour and disorientation inherent in data-driven matchmaking, interrogating tensions between somatic and cyber-mediated intimacies. Reflecting broader trends towards physical, flesh-and-blood sex in Netflix romcoms, amid the post-romantic, heteropessimistic turn in screen productions, it balances queerer modes of interface design, digital affect and embodied sex with traditional genre discourses of the Soulmate and The One. While offering a nuanced critique of quantified, marketized love, Smiley ’s prioritization of corporeal, monogamous, (homo)normative connection over multiple, virtual encounters reveals both the constraints and possibilities of contemporary (LGBTQ+) courtship and social bonding.

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Publication Details

Journal
International Journal of Iberian Studies
Published
2025-12-01
DOI
https://doi.org/10.1386/ijis_00166_1
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

‘It doesn’t make me feel the way you do’: Reading dating apps and digital intimacies in Smiley (Netflix 2022)

Matthew Hilborn
International Journal of Iberian Studies
Gender, Feminism, and Media
article

‘It doesn’t make me feel the way you do’: Reading dating apps and digital intimacies in Smiley (Netflix 2022)

Matthew Hilborn
article en

Abstract

This article examines Smiley (2022), a Catalan- and Spanish-language LGBTQ+ romantic comedy on Netflix, as a critical intervention in debates over digital intimacies and platform-mediated relationships. As both romcoms and relationships themselves become increasingly platformized, the article analyses how the series visualizes the digital enclosure of dating through split-screen aesthetics and palimpsestic overlays, formally mirroring the fragmented, gamified nature of dating/hook-up apps like Grindr. Smiley dramatizes the affective labour and disorientation inherent in data-driven matchmaking, interrogating tensions between somatic and cyber-mediated intimacies. Reflecting broader trends towards physical, flesh-and-blood sex in Netflix romcoms, amid the post-romantic, heteropessimistic turn in screen productions, it balances queerer modes of interface design, digital affect and embodied sex with traditional genre discourses of the Soulmate and The One. While offering a nuanced critique of quantified, marketized love, Smiley ’s prioritization of corporeal, monogamous, (homo)normative connection over multiple, virtual encounters reveals both the constraints and possibilities of contemporary (LGBTQ+) courtship and social bonding.

International Journal of Iberian StudiesVol. 38(3)
University College Dublin (IE)
Openalex Percentile: Top 18%
Gender, Feminism, and Media
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