The Critic, the Child and the Nurturer: A group case study of art therapy in a weight-neutral frame for women with body image concerns

This article explores how art therapy can function as a weight-neutral practice for South African women experiencing body image distress. Grounded in a six-week narrative art therapy group, the study drew on Ashlee Bennett’s (2022) three characters: the Body Critic, the Younger Self, and the Body Nurturer. Participants were able to externalise shame and imagine new ways of relating to their bodies. Using a qualitative, arts-based approach, the group revealed how internalised body criticism often stems from gendered, cultural, and familial influences. Through arts-based thematic analysis, three therapeutic processes were identified: the externalisation of internalised shame, the re-authoring of body narratives, and the emergence of self-compassion. Findings suggest that art therapy grounded in a weight-neutral stance offers an inclusive, ethically responsive alternative to weight-centric models of care. The article concludes with recommendations for (1) practice – embedding weight-neutral and anti-fat-bias frameworks in therapeutic work, (2) training – integrating critical engagement with weight-neutral practices and confronting anti-fat bias in art therapy education, and (3) research – developing decolonial and contextually grounded approaches to body image in South Africa. This study represents the first documented application of weight-neutral narrative art therapy in the region.

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Publication Details

Journal
South African Journal of Arts Therapies
Published
2026-02-03
DOI
https://doi.org/10.36615/ggj3ap45
Primary Topic
Art Therapy and Mental Health
Type
article
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article

The Critic, the Child and the Nurturer: A group case study of art therapy in a weight-neutral frame for women with body image concerns

Tavia Viglietti
South African Journal of Arts Therapies
Art Therapy and Mental Health
article

The Critic, the Child and the Nurturer: A group case study of art therapy in a weight-neutral frame for women with body image concerns

Tavia Viglietti
article en

Abstract

This article explores how art therapy can function as a weight-neutral practice for South African women experiencing body image distress. Grounded in a six-week narrative art therapy group, the study drew on Ashlee Bennett’s (2022) three characters: the Body Critic, the Younger Self, and the Body Nurturer. Participants were able to externalise shame and imagine new ways of relating to their bodies. Using a qualitative, arts-based approach, the group revealed how internalised body criticism often stems from gendered, cultural, and familial influences. Through arts-based thematic analysis, three therapeutic processes were identified: the externalisation of internalised shame, the re-authoring of body narratives, and the emergence of self-compassion. Findings suggest that art therapy grounded in a weight-neutral stance offers an inclusive, ethically responsive alternative to weight-centric models of care. The article concludes with recommendations for (1) practice – embedding weight-neutral and anti-fat-bias frameworks in therapeutic work, (2) training – integrating critical engagement with weight-neutral practices and confronting anti-fat bias in art therapy education, and (3) research – developing decolonial and contextually grounded approaches to body image in South Africa. This study represents the first documented application of weight-neutral narrative art therapy in the region.

South African Journal of Arts TherapiesVol. 3(2)
University of Johannesburg (ZA)
Gender equality
Openalex Percentile: Top 66%
Art Therapy and Mental Health
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