<i>Repertories of (in)discreteness</i> : Curating Radio Free Europe’s Archives Through Artistic Means

Abstract The Repertories of (in)discreetness project had its starting point in the archive of Radio Free Europe at Open Society Archives in Budapest, Hungary. The project aimed to question the act and mechanisms of archiving “the Other,” with a focus on the European “East.” The paper discusses how information was collected, how Eastern Europe has gained an epistemic body, and how the historiographic dilemmas were translated through artistic means. By combining old and new media and by using sound, video, and situations as forms of deconstruction and embodiment that render visible the invisible, the exhibition project engaged the visitors in the production of knowledge and the use of informational warfare during the Cold War, as food for thought in connection to the present-day mediatic practices.

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Publication Details

Journal
Leonardo
Published
2025-12-08
DOI
https://doi.org/10.1162/leon.a.2629
Primary Topic
Memory, Trauma, and Commemoration
Type
article
Field-Weighted Citation Impact
0.00
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article

Repertories of (in)discreteness : Curating Radio Free Europe’s Archives Through Artistic Means

Tincuta Heinzel, Lasse Scherffig, Ioana Macrea-Toma, Irina Botea Bucan et al.
Leonardo
Memory, Trauma, and Commemoration
article

Repertories of (in)discreteness : Curating Radio Free Europe’s Archives Through Artistic Means

Tincuta Heinzel, Lasse Scherffig, Ioana Macrea-Toma, Irina Botea Bucan, Jon Dean, István László
article en

Abstract

Abstract The Repertories of (in)discreetness project had its starting point in the archive of Radio Free Europe at Open Society Archives in Budapest, Hungary. The project aimed to question the act and mechanisms of archiving “the Other,” with a focus on the European “East.” The paper discusses how information was collected, how Eastern Europe has gained an epistemic body, and how the historiographic dilemmas were translated through artistic means. By combining old and new media and by using sound, video, and situations as forms of deconstruction and embodiment that render visible the invisible, the exhibition project engaged the visitors in the production of knowledge and the use of informational warfare during the Cold War, as food for thought in connection to the present-day mediatic practices.

Leonardo
TH Köln - University of Applied Sciences (DE), Magyar Agrár- és Élettudományi Egyetem (HU), Loughborough University (GB), Central European University (AT), Department for Work and Pensions (GB), Unified Szent István and Szent László Hospital (HU), Goldsmiths University of London (GB)
Openalex Percentile: Top 21%
Memory, Trauma, and Commemoration
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<i>Repertories of (in)discreteness</i> : Curating Radio Free Europe’s Archives Through Artistic Means — Tincuta Heinzel, Lasse Scherffig, et al. · Leonardo (2025) | TGRS Research Map | TGRS