Bound by Belief: The Collapse of Bushido and the Rise of Faith in Ran

Abstract: In its adaptation of King Lear , Ran presents a threefold transformation in the moral imagination, moving from the collapse of the traditional warrior ethos, through the fleeting ascendance of Pure Land faith, to the emergent oceanic faith. Saburo, the idealized figure of samurai virtue, is set in a losing contest against historically grounded, pragmatic, and villainous warriors. This demystifying process dismantles the bushido ideal as a pillar of Japanese identity. In its place, the Pure Land faith is briefly offered as refuge, only to falter under the weight of doctrinal constraint, with its stringency mirrored in Hidetora’s rejection of the Buddhist wisdom, a defiance that engenders the fruition of negative karma. In its closing movement, the film gestures toward an oceanic faith whose openness serves as resolution, yet the ultimate vision remains transcendental: expansive, fluid, and free from institutional bounds.

Authors

Publication Details

Journal
Shakespeare bulletin
Published
2025-09-01
DOI
https://doi.org/10.1353/shb.2025.a981805
Primary Topic
Japanese History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Bound by Belief: The Collapse of Bushido and the Rise of Faith in Ran

Linhan Gan
Shakespeare bulletin
Japanese History and Culture
article

Bound by Belief: The Collapse of Bushido and the Rise of Faith in Ran

Linhan Gan
article en

Abstract

Abstract: In its adaptation of King Lear , Ran presents a threefold transformation in the moral imagination, moving from the collapse of the traditional warrior ethos, through the fleeting ascendance of Pure Land faith, to the emergent oceanic faith. Saburo, the idealized figure of samurai virtue, is set in a losing contest against historically grounded, pragmatic, and villainous warriors. This demystifying process dismantles the bushido ideal as a pillar of Japanese identity. In its place, the Pure Land faith is briefly offered as refuge, only to falter under the weight of doctrinal constraint, with its stringency mirrored in Hidetora’s rejection of the Buddhist wisdom, a defiance that engenders the fruition of negative karma. In its closing movement, the film gestures toward an oceanic faith whose openness serves as resolution, yet the ultimate vision remains transcendental: expansive, fluid, and free from institutional bounds.

Shakespeare bulletinVol. 43(3)
Openalex Percentile: Top 12%
Japanese History and Culture
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