Decolonizing documentary spaces: Enacting care-full methods within educational institutions

In this article, the authors share their experiences of two documentary co-creation projects, the First Peoples’ Post-Secondary Storytelling Exchange and Circle Visions, media initiatives for Indigenous college students and emerging filmmakers, which took place in two post-secondary institutions in what is today called Québec, Canada. The authors frame their reflections historically as well as through the lens of Indigenous sovereignty to consider their projects’ relationships to ongoing Indigenous resistance. The article moves between personal recollections of the projects and the care-full, relational methodologies, processes, outcomes and priorities of co-creative approaches to decolonizing pedagogy and filmmaking. Despite challenges posed by the institutional colonial apparatus, the authors identify opportunities for Indigenous creatives to express themselves in culturally relevant ways, while enacting meaningful change upon the academic contexts within which media mentorship and filmmaking take place. Prioritizing care and generosity over extraction and control, these initiatives offer generative pathways for creation, storytelling and stewardship for planetary well-being.

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Publication Details

Journal
Journal of Environmental Media
Published
2025-10-01
DOI
https://doi.org/10.1386/jem_00157_1
Primary Topic
Indigenous Health, Education, and Rights
Type
article
Field-Weighted Citation Impact
0.00
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article

Decolonizing documentary spaces: Enacting care-full methods within educational institutions

Kester Dyer, Pasha A. Partridge, M. Smith, Elizabeth (Liz) Miller et al.
Journal of Environmental Media
Indigenous Health, Education, and Rights
article

Decolonizing documentary spaces: Enacting care-full methods within educational institutions

Kester Dyer, Pasha A. Partridge, M. Smith, Elizabeth (Liz) Miller, Mélina Quitich-Niquay
article en

Abstract

In this article, the authors share their experiences of two documentary co-creation projects, the First Peoples’ Post-Secondary Storytelling Exchange and Circle Visions, media initiatives for Indigenous college students and emerging filmmakers, which took place in two post-secondary institutions in what is today called Québec, Canada. The authors frame their reflections historically as well as through the lens of Indigenous sovereignty to consider their projects’ relationships to ongoing Indigenous resistance. The article moves between personal recollections of the projects and the care-full, relational methodologies, processes, outcomes and priorities of co-creative approaches to decolonizing pedagogy and filmmaking. Despite challenges posed by the institutional colonial apparatus, the authors identify opportunities for Indigenous creatives to express themselves in culturally relevant ways, while enacting meaningful change upon the academic contexts within which media mentorship and filmmaking take place. Prioritizing care and generosity over extraction and control, these initiatives offer generative pathways for creation, storytelling and stewardship for planetary well-being.

Journal of Environmental MediaVol. 6(2)
T-Mobile (United States) (US), McGill University (CA), Carleton University (CA)
Quality Education
Openalex Percentile: Top 23%
Indigenous Health, Education, and Rights
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