THE USE OF MAQAM VOCAL PATHS IN R. GLIER AND T. SODIQOV'S OPERA "LAYLI AND MAJNUN"

This article presents a full analytical study of the artistic and dramaturgical role of maqam vocal paths in the opera “Layli and Majnun” by R. Glier and T. Sodiqov. The research explores the mechanisms of adapting maqam modal–intonational structures to operatic form, including quotation, model-intonation, reduction, redistribution of climactic points, and orchestral reinforcement. Special attention is given to character representation and the synthesis of national and European musical traditions.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-01-30
DOI
https://doi.org/10.5281/zenodo.18434785
Primary Topic
Emergency Medicine Education and Research
Type
article
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article

THE USE OF MAQAM VOCAL PATHS IN R. GLIER AND T. SODIQOV'S OPERA "LAYLI AND MAJNUN"

Durdona Rajabiy
Zenodo (CERN European Organization for Nuclear Research)
Emergency Medicine Education and Research
article

THE USE OF MAQAM VOCAL PATHS IN R. GLIER AND T. SODIQOV'S OPERA "LAYLI AND MAJNUN"

Durdona Rajabiy
article en

Abstract

This article presents a full analytical study of the artistic and dramaturgical role of maqam vocal paths in the opera “Layli and Majnun” by R. Glier and T. Sodiqov. The research explores the mechanisms of adapting maqam modal–intonational structures to operatic form, including quotation, model-intonation, reduction, redistribution of climactic points, and orchestral reinforcement. Special attention is given to character representation and the synthesis of national and European musical traditions.

Zenodo (CERN European Organization for Nuclear Research)
Institute of Art (PL)
Openalex Percentile: Top 74%
Emergency Medicine Education and Research
DOIOpen Access PDFOpenAlex
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THE USE OF MAQAM VOCAL PATHS IN R. GLIER AND T. SODIQOV'S OPERA "LAYLI AND MAJNUN" — Durdona Rajabiy · Zenodo (CERN European Organization for Nuclear Research) (2026) | TGRS Research Map | TGRS