Implementing Imagination for Evoking Teleodynamic Systems which Create Constraints to Constitute Improvised Musical Pieces

Improvising freely together with their peers in a classroom setting can be challenging for a music student, as no specific guidance is provided, and students must rely solely on their inner ideas, rules, etc. This long-term exploratory study with eight Estonian music students tested imagination as a tool for providing improvisation guidelines to enhance group dynamics. A different set of methods (behavioral observation of the whole situation, detailed musical analysis of the improvisations, professional evaluation by improvisation teachers, and student feedback) was used for analysis. The results show that the implementation of conscious imagining is helpful for forming a certain constrained expressive area for improvisers, in which the improvised music is clear, stylistically coherent, and the improvisers are at relative ease in self-expression.

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Publication Details

Journal
DSpace repository (University of Tartu)
Published
2024-11-27
DOI
https://doi.org/10.58162/j8gs-j483
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
0.00
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article

Implementing Imagination for Evoking Teleodynamic Systems which Create Constraints to Constitute Improvised Musical Pieces

Marju Raju, Allan Vurma, Jaak Sikk
DSpace repository (University of Tartu)
Diverse Music Education Insights
article

Implementing Imagination for Evoking Teleodynamic Systems which Create Constraints to Constitute Improvised Musical Pieces

Marju Raju, Allan Vurma, Jaak Sikk
article en

Abstract

Improvising freely together with their peers in a classroom setting can be challenging for a music student, as no specific guidance is provided, and students must rely solely on their inner ideas, rules, etc. This long-term exploratory study with eight Estonian music students tested imagination as a tool for providing improvisation guidelines to enhance group dynamics. A different set of methods (behavioral observation of the whole situation, detailed musical analysis of the improvisations, professional evaluation by improvisation teachers, and student feedback) was used for analysis. The results show that the implementation of conscious imagining is helpful for forming a certain constrained expressive area for improvisers, in which the improvised music is clear, stylistically coherent, and the improvisers are at relative ease in self-expression.

DSpace repository (University of Tartu)
Estonian Academy of Music and Theatre (EE)
Quality Education
Openalex Percentile: Top 12%
Diverse Music Education Insights
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