Images Assisting <scp>Wor[l]ds</scp> : Black History Murals in South and West Philadelphia

ABSTRACT Black history murals are often understood as examples of state or corporate obfuscation of racial inequality, sometimes known as “artwashing”; or, conversely, as “insurgent” political interventions. Focusing on murals in historically Black neighborhoods in South and West Philadelphia, this article instead highlights the processual, but no less political, relations involved in the production of Black history murals. Departing from “presentist” politically driven accounts that privilege “contemporary concerns and dispositions,” our objective is to offer a cultural and urban sociological analysis that highlights the anteceding words (texts and narratives), urban lifeworlds, “art worlds” and supply of meaningful urban locations that make Black history murals possible. We argue murals not only consolidate “the past” but contribute to the making of Black urban historicity.

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Publication Details

Journal
Sociological Forum
Published
2026-01-28
DOI
https://doi.org/10.1111/socf.70048
Primary Topic
Public Spaces through Art
Type
article
Field-Weighted Citation Impact
0.00

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article

Images Assisting Wor[l]ds : Black History Murals in South and West Philadelphia

Gareth Millington, Irteza Anwara Mohyuddin
Sociological Forum
Public Spaces through Art
article

Images Assisting Wor[l]ds : Black History Murals in South and West Philadelphia

Gareth Millington, Irteza Anwara Mohyuddin
article en

Abstract

ABSTRACT Black history murals are often understood as examples of state or corporate obfuscation of racial inequality, sometimes known as “artwashing”; or, conversely, as “insurgent” political interventions. Focusing on murals in historically Black neighborhoods in South and West Philadelphia, this article instead highlights the processual, but no less political, relations involved in the production of Black history murals. Departing from “presentist” politically driven accounts that privilege “contemporary concerns and dispositions,” our objective is to offer a cultural and urban sociological analysis that highlights the anteceding words (texts and narratives), urban lifeworlds, “art worlds” and supply of meaningful urban locations that make Black history murals possible. We argue murals not only consolidate “the past” but contribute to the making of Black urban historicity.

Sociological ForumVol. 41(1)
University of York (GB), University of Pennsylvania (US)
Leverhulme Trust
Reduced inequalities
Openalex Percentile: Top 78%
Public Spaces through Art
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