A spherical microphone prototype for multichannel recording: Technological design, artistic applications and compositional implications

Abstract Recent developments in spatial audio and immersive technologies have expanded creative possibilities for composers and sound artists. This article presents a novel prototype of a spherical microphone with an ellipsoid casing and ten motorised condenser capsules, each capable of real-time adjustment of orientation and polar pattern. Unlike fixed-pattern or conventional ambisonic arrays, this design enables dynamic control over spatial coverage and directivity, offering new opportunities for multichannel recording, live performance and interactive sound art. While software-based spatialisation offers some flexibility, physical reconfiguration of capsules provides superior responsiveness and avoids latency, phase artefacts or resolution loss. This is especially critical in performance contexts where immediate acoustic adaptation is required. The system allows direct manipulation of capsule parameters during rehearsal or installation, effectively transforming the microphone into a performative instrument. The article compares the prototype with existing commercial ambisonic microphones, highlighting its distinctive advantages in workflow and compositional strategy. Use-case scenarios demonstrate how real-time control over spatial parameters enhances both technical precision and artistic expressiveness. The article concludes with a discussion of future directions, including collaborative testing with practitioners and integration into creative environments where spatial transparency, fidelity and interactivity are essential.