Invisible Philosophy: Symbol, Culture, and the Violence of Literalization in the Age of Spectacle
In an era dominated by visibility, performance, and symbolic consumption, meaning has been increasingly reduced to spectacle. This essay proposes Invisible Philosophy as a cultural and artistic position that resists the commodification and literalization of symbolic narratives. Drawing from anthropology, cultural studies, and artistic practice, it argues that symbols are not objects to be consumed, activated, or monetized, but living structures that must be inhabited and interpreted within their cultural context. The text critiques contemporary spiritual marketing, invented traditions, and the misuse of mythical figures—such as duendes—while defending the symbolic, non-literal, and deeply personal nature of meaning-making. Invisible Philosophy is presented not as a doctrine, but as a practice of awareness, restraint, and cultural responsibility.
Authors
- Fito Girolami
Institutions
- Independent Dance (GB)
Publication Details
- Journal
- Zenodo (CERN European Organization for Nuclear Research)
- Published
- 2026-01-29
- DOI
- https://doi.org/10.5281/zenodo.18421063
- Primary Topic
- Cultural Studies and Postmodernism
- Type
- article
- Field-Weighted Citation Impact
- 0.00