Handkerchiefs as Memorabilia at the Crystal Palace (1851): Addressing Gaps in Museum Object Descriptions

Museums continue to face challenges in maintaining collections as digital offerings expand. Embracing object-based analysis prompts museums to reflect on gaps in object descriptions. This article focuses on two commemorative handkerchiefs from the 1851 Great Exhibition in London, England held in the Victoria and Albert Museum (V&A) online collections. Recommendations include describing the history of textiles manufacturing in England as well as the use of imagery on commemorative handkerchiefs symbolic of control, unity, and loyalty to the British Crown at this event. This research fills a gap in existing literature on memorabilia at the international exhibitions during the mid-nineteenth to early twentieth century. It also highlights how prioritizing research in online collections management and improving transparency regarding institutional challenges can bring renewed focus to online record-keeping and educational opportunities.

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Publication Details

Journal
Collections A Journal for Museum and Archives Professionals
Published
2026-01-26
DOI
https://doi.org/10.1177/15501906261416784
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
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article

Handkerchiefs as Memorabilia at the Crystal Palace (1851): Addressing Gaps in Museum Object Descriptions

Sandi Stewart
Collections A Journal for Museum and Archives Professionals
Museums and Cultural Heritage
article

Handkerchiefs as Memorabilia at the Crystal Palace (1851): Addressing Gaps in Museum Object Descriptions

Sandi Stewart
article en

Abstract

Museums continue to face challenges in maintaining collections as digital offerings expand. Embracing object-based analysis prompts museums to reflect on gaps in object descriptions. This article focuses on two commemorative handkerchiefs from the 1851 Great Exhibition in London, England held in the Victoria and Albert Museum (V&A) online collections. Recommendations include describing the history of textiles manufacturing in England as well as the use of imagery on commemorative handkerchiefs symbolic of control, unity, and loyalty to the British Crown at this event. This research fills a gap in existing literature on memorabilia at the international exhibitions during the mid-nineteenth to early twentieth century. It also highlights how prioritizing research in online collections management and improving transparency regarding institutional challenges can bring renewed focus to online record-keeping and educational opportunities.

Collections A Journal for Museum and Archives ProfessionalsVol. 22(1)
University of New Brunswick (CA)
Openalex Percentile: Top 81%
Museums and Cultural Heritage
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Handkerchiefs as Memorabilia at the Crystal Palace (1851): Addressing Gaps in Museum Object Descriptions — Sandi Stewart · Collections A Journal for Museum and Archives Professionals (2026) | TGRS Research Map | TGRS