With whale tooth and dry leaf: Object-led writing and teaching

This article examines how concepts of relationality and nonhuman agency can inform processes of writing with material objects, and the teaching of this through object-based learning. Bringing together self-reflexive and emotionally attuned approaches from life writing, the tactile and sensory focus of object-based learning, and notions of material vitality, object-led writing is a practice guided by the more-than-human. The structure for this practice is based on a class teaching creative writing with objects in a university museum, using objects from the collection. It establishes a framework for object-led writing through a set of cumulative strategies: description, feeling, knowing, time and chance. These strategies attune writers to the lively potential of objects beyond their associations with humans. They form a guide for teaching creative writing with objects as well as for experimenting with object-led writing and for understanding the potential for nonhuman life to shape and direct literary work.

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TEXT
Published
2026-01-26
DOI
https://doi.org/10.52086/001c.155452
Primary Topic
Posthumanist Ethics and Activism
Type
article
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article

With whale tooth and dry leaf: Object-led writing and teaching

Vanessa Berry
TEXT
Posthumanist Ethics and Activism
article

With whale tooth and dry leaf: Object-led writing and teaching

Vanessa Berry
article en

Abstract

This article examines how concepts of relationality and nonhuman agency can inform processes of writing with material objects, and the teaching of this through object-based learning. Bringing together self-reflexive and emotionally attuned approaches from life writing, the tactile and sensory focus of object-based learning, and notions of material vitality, object-led writing is a practice guided by the more-than-human. The structure for this practice is based on a class teaching creative writing with objects in a university museum, using objects from the collection. It establishes a framework for object-led writing through a set of cumulative strategies: description, feeling, knowing, time and chance. These strategies attune writers to the lively potential of objects beyond their associations with humans. They form a guide for teaching creative writing with objects as well as for experimenting with object-led writing and for understanding the potential for nonhuman life to shape and direct literary work.

TEXTVol. 30(Special 76)
The University of Sydney (AU)
Quality Education
Openalex Percentile: Top 81%
Posthumanist Ethics and Activism
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