Recovering Industrial Memory: Self-Management and Entrepreneurship in Jasmila Žbanić’s <i>Blum: Masters of Their Own Destiny</i> (Ikarus Films, 2024)

Abstract Jasmila Žbanić’s film Blum: Masters of Their Own Destiny (2024) revisits one of socialist Yugoslavia’s most emblematic enterprises, Energoinvest, through the life and vision of its founder Emerik Blum. The film intertwines industrial history, personal testimony, and collective memory to explore the worker self-management experiment in Yugoslavia, and specifically Bosnia-Herzegovina, including its enduring moral and political legacies. This essay situates Žbanić’s documentary within the historiography of Yugoslav socialism and the wider debates about postsocialist memory and economic imagination. It argues that the film functions both as an act of historical recovery and as a meditation on the failure of an economic utopia – offering a layered account of modernity, ownership, and belonging that challenges neoliberal narratives of progress.

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Publication Details

Journal
Comparative Southeast European Studies
Published
2025-12-01
DOI
https://doi.org/10.1515/soeu-2025-0096
Primary Topic
Balkans: History, Politics, Society
Type
article
Field-Weighted Citation Impact
0.00
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article

Recovering Industrial Memory: Self-Management and Entrepreneurship in Jasmila Žbanić’s Blum: Masters of Their Own Destiny (Ikarus Films, 2024)

Anna Calori
Comparative Southeast European Studies
Balkans: History, Politics, Society
article

Recovering Industrial Memory: Self-Management and Entrepreneurship in Jasmila Žbanić’s Blum: Masters of Their Own Destiny (Ikarus Films, 2024)

Anna Calori
article en

Abstract

Abstract Jasmila Žbanić’s film Blum: Masters of Their Own Destiny (2024) revisits one of socialist Yugoslavia’s most emblematic enterprises, Energoinvest, through the life and vision of its founder Emerik Blum. The film intertwines industrial history, personal testimony, and collective memory to explore the worker self-management experiment in Yugoslavia, and specifically Bosnia-Herzegovina, including its enduring moral and political legacies. This essay situates Žbanić’s documentary within the historiography of Yugoslav socialism and the wider debates about postsocialist memory and economic imagination. It argues that the film functions both as an act of historical recovery and as a meditation on the failure of an economic utopia – offering a layered account of modernity, ownership, and belonging that challenges neoliberal narratives of progress.

Comparative Southeast European StudiesVol. 73(4)
University of Glasgow (GB)
Decent work and economic growth
Openalex Percentile: Top 14%
Balkans: History, Politics, Society
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