The Outsider's Gaze: Media Representation of Dalit, Adivasi, Queer, and Minority Lives

The article develops this claim through close readings of select case studies on Dalit, Adivasi, queer, trans, and religious minority representation. It argues that mainstream Indian media operates through what can be termed the "outsider's gaze" a structural lens shaped by upper-caste, cis-heteronormative, male, and Hindu majoritarian perspectives. [i] This gaze dictates how marginalized communities are portrayed, often excluding them entirely, tokenizing their presence, or framing them in reductive, stereotypical, and often dehumanizing ways. [ii] The article engages with an interdisciplinary framework grounded in media studies, anti-caste theory, feminist and queer critique, and postcolonial scholarship to examine how representational injustice reproduces social hierarchies and reinforces epistemic violence. [iii] It starts by looking at the sensationalized reporting of caste and tribal crimes that ignores systemic injustice, as well as the lack of Dalit and Adivasi voices in newsrooms. [iv]Adivasi resistance against environmental exploitation is often criminalized, [v] and Dalit suffering is mediated through voyeuristic narratives that erase agency. [vi] The article then turns to the representation of queer and trans persons, arguing that media depictions have shifted from caricature to commodification without achieving structural inclusion. [vii] Queer and trans lives, especially those at the intersections of caste and class, remain underrepresented or distorted through elitist and sanitized portrayals. [viii] The paper further analyses the communal framing of Muslim identities, highlighting how television debates and sensationalist reporting have normalized Islamophobic discourse, constructed binaries of the “good” versus “bad” Muslim, and legitimized state violence and social exclusion. [ix] Additionally, the article critiques the politics of tokenism, where superficial inclusion fails to translate into editorial power or narrative control. [x] Representation becomes symbolic rather than transformative, reinforcing the dominance of mainstream ideologies. However, the piece also acknowledges the emergence of counter-publics—community-led media platforms and digital movements that challenge hegemonic narratives and reclaim narrative sovereignty. [xi] The article argues that mere inclusion is insufficient without also ensuring epistemic and structural justice. [xii] It calls for a radical reimagining of media institutions, grounded in anti-caste, feminist, and queer ethics, and advocates for affirmative action, editorial diversity, and community authorship. Only by dismantling the outsider’s gaze and restoring voice to the marginalized can Indian media become a

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2026-01-23
DOI
https://doi.org/10.5281/zenodo.18349095
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

The Outsider's Gaze: Media Representation of Dalit, Adivasi, Queer, and Minority Lives

Chandrani Chakraborty
Zenodo (CERN European Organization for Nuclear Research)
South Asian Cinema and Culture
article

The Outsider's Gaze: Media Representation of Dalit, Adivasi, Queer, and Minority Lives

Chandrani Chakraborty
article en

Abstract

The article develops this claim through close readings of select case studies on Dalit, Adivasi, queer, trans, and religious minority representation. It argues that mainstream Indian media operates through what can be termed the "outsider's gaze" a structural lens shaped by upper-caste, cis-heteronormative, male, and Hindu majoritarian perspectives. [i] This gaze dictates how marginalized communities are portrayed, often excluding them entirely, tokenizing their presence, or framing them in reductive, stereotypical, and often dehumanizing ways. [ii] The article engages with an interdisciplinary framework grounded in media studies, anti-caste theory, feminist and queer critique, and postcolonial scholarship to examine how representational injustice reproduces social hierarchies and reinforces epistemic violence. [iii] It starts by looking at the sensationalized reporting of caste and tribal crimes that ignores systemic injustice, as well as the lack of Dalit and Adivasi voices in newsrooms. [iv]Adivasi resistance against environmental exploitation is often criminalized, [v] and Dalit suffering is mediated through voyeuristic narratives that erase agency. [vi] The article then turns to the representation of queer and trans persons, arguing that media depictions have shifted from caricature to commodification without achieving structural inclusion. [vii] Queer and trans lives, especially those at the intersections of caste and class, remain underrepresented or distorted through elitist and sanitized portrayals. [viii] The paper further analyses the communal framing of Muslim identities, highlighting how television debates and sensationalist reporting have normalized Islamophobic discourse, constructed binaries of the “good” versus “bad” Muslim, and legitimized state violence and social exclusion. [ix] Additionally, the article critiques the politics of tokenism, where superficial inclusion fails to translate into editorial power or narrative control. [x] Representation becomes symbolic rather than transformative, reinforcing the dominance of mainstream ideologies. However, the piece also acknowledges the emergence of counter-publics—community-led media platforms and digital movements that challenge hegemonic narratives and reclaim narrative sovereignty. [xi] The article argues that mere inclusion is insufficient without also ensuring epistemic and structural justice. [xii] It calls for a radical reimagining of media institutions, grounded in anti-caste, feminist, and queer ethics, and advocates for affirmative action, editorial diversity, and community authorship. Only by dismantling the outsider’s gaze and restoring voice to the marginalized can Indian media become a

Zenodo (CERN European Organization for Nuclear Research)
Samsung Pharm (South Korea) (KR)
Reduced inequalities
Openalex Percentile: Top 84%
South Asian Cinema and Culture
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