“A safe, responsible, and profitable ecosystem of music”: Analyzing perceptions and implementation of generative AI in the music industry

This article analyzes music industry discourses about generative AI to understand competing and conflicting views across the industrial field. Our analysis mobilizes primary data from ethnographic fieldwork collected at music trade conferences between 2023 and 2024 and secondary data from trade press, corporate statements, reports published by governments, unions, and trade bodies. Our analysis illuminates tensions and contradictions among protectionist, liberalizing, and conciliatory views toward generative AI. Some corporate actors and public stakeholders advocate for protectionist business policies and “responsible” AI development that foregrounds potential harms of AI. Other corporate actors offer more liberalizing views, encouraging investment, experimentation, and adoption of generative AI systems to cut costs and increase profits. We also note conciliatory positions, mainly from musicians’ unions and trade bodies, trying to find compromises between these two poles. We argue that these contradictions reveal a fundamentally misunderstood notion of universal AI ethics in the music industry.

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Publication Details

Journal
New Media & Society
Published
2026-01-23
DOI
https://doi.org/10.1177/14614448251411526
Citations
1
Primary Topic
Copyright and Intellectual Property
Type
article
Field-Weighted Citation Impact
0.00
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article

“A safe, responsible, and profitable ecosystem of music”: Analyzing perceptions and implementation of generative AI in the music industry

Raquel Campos Valverde, D Bondy Valdovinos Kaye
1 citations
New Media & Society
Copyright and Intellectual Property
article

“A safe, responsible, and profitable ecosystem of music”: Analyzing perceptions and implementation of generative AI in the music industry

Raquel Campos Valverde, D Bondy Valdovinos Kaye
article en
1 citations

Abstract

This article analyzes music industry discourses about generative AI to understand competing and conflicting views across the industrial field. Our analysis mobilizes primary data from ethnographic fieldwork collected at music trade conferences between 2023 and 2024 and secondary data from trade press, corporate statements, reports published by governments, unions, and trade bodies. Our analysis illuminates tensions and contradictions among protectionist, liberalizing, and conciliatory views toward generative AI. Some corporate actors and public stakeholders advocate for protectionist business policies and “responsible” AI development that foregrounds potential harms of AI. Other corporate actors offer more liberalizing views, encouraging investment, experimentation, and adoption of generative AI systems to cut costs and increase profits. We also note conciliatory positions, mainly from musicians’ unions and trade bodies, trying to find compromises between these two poles. We argue that these contradictions reveal a fundamentally misunderstood notion of universal AI ethics in the music industry.

New Media & Society
University of Leeds (GB)
Openalex Percentile: Top 84%
Copyright and Intellectual Property
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