Who Wouldn't Get the Joke?: Vile Sovereignty, Vanishing Mediators, and Trump

This article considers Trump as an example of "vile sovereignty," a concept Michel Foucault put forward in the mid 1970s to describe "the exercise of power through the explicit disqualification of the person who wields it" (2003b: 35)—a "childish discourse" that disqualifies the speaker at the very moment that they are being appealed to as a figure of authority (36). We argue that this concept helps illuminate contemporary US politics, where Trump's carnivalesque flaunting of political decorum and morality paradoxically seem to buttress the power of his Republican Party. Building upon our theorization of the role vile sovereignty has played in recent Canadian politics (Orpana & Mauro 2013/14), our contribution considers Trumpist popular representations, focusing on Todd Phillips's Joker (2019). The film speaks directly to the cultural and racial politics of an exhausted progressive neoliberalism, and offers a neo-populist vision in response—both markers, we argue, of contemporary vile sovereignty. From there we turn to the conjuncture and consider vile sovereignty as a Jamesonian "vanishing mediator" to a new legitimation of power: an authoritarian populism interested primarily in maintaining and extending planetary extractivism and in staving off attempts at the democratic socialization of energy production. Author Biographies Simon Orpana Simon Orpana is a writer, artist and sessional instructor in the Department of English and Cultural Studies at McMaster University. He is co-author, with Rob Kristofferson, and illustrator of Showdown!: Making Modern Unions (Between the Lines 2016), a graphic history of the 1946 strikes in Hamilton, Ontario that established industrial unionism in Canada. His writing has appeared in Topia, English Studies in Canada, and Zombie Theory: a Reader (University of Minnesota Press 2018). Evan Mauro Evan Mauro is contract faculty at the University of British Columbia, where he teaches English and Cultural Studies. His research and teaching use frameworks from community engaged scholarship, Marxism, and anticolonial thought. Other writings appear in Topia, Mediations, and Reviews in Cultural Theory. He lives and works in Vancouver.