Teacher Use and Perceptions of Feedback on Student Creativity Tasks

The purpose of this mixed methods study was to examine the use and perceived value of feedback on students’ creativity among preservice ( n = 164) and in-service ( n = 246) teachers. As an explanatory sequential mixed methods design, the first phase of the study included a quantitative questionnaire that sought to examine music educators’ ( N = 410) attitudes, beliefs, values, and utility of feedback on creative tasks. The second phase of the study was qualitative and included two components: (a) a pre-interview task where teachers ( n = 49) provided written feedback on two student compositions and (b) one-on-one interviews with preservice ( n = 6) and in-service ( n = 9) teachers. The primary purpose of the second phase was to examine the types of feedback teachers provide on creative tasks, such as composition, and to allow teachers to describe their thinking about giving feedback on creative tasks. Finally, we integrated findings from both phases. The participants in this study reported valuing process- and goal-oriented feedback over task-oriented feedback. However, teachers demonstrated a tendency to provide more task-oriented (or product-oriented) feedback than process- or goal-oriented feedback when responding to the student compositions. Implications and recommendations for the field are discussed.

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Publication Details

Journal
Journal of Research in Music Education
Published
2026-01-21
DOI
https://doi.org/10.1177/00224294251407632
Primary Topic
Diverse Music Education Insights
Type
article
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article

Teacher Use and Perceptions of Feedback on Student Creativity Tasks

Jennifer Blackwell, Nicholas E. Roseth
Journal of Research in Music Education
Diverse Music Education Insights
article

Teacher Use and Perceptions of Feedback on Student Creativity Tasks

Jennifer Blackwell, Nicholas E. Roseth
article en

Abstract

The purpose of this mixed methods study was to examine the use and perceived value of feedback on students’ creativity among preservice ( n = 164) and in-service ( n = 246) teachers. As an explanatory sequential mixed methods design, the first phase of the study included a quantitative questionnaire that sought to examine music educators’ ( N = 410) attitudes, beliefs, values, and utility of feedback on creative tasks. The second phase of the study was qualitative and included two components: (a) a pre-interview task where teachers ( n = 49) provided written feedback on two student compositions and (b) one-on-one interviews with preservice ( n = 6) and in-service ( n = 9) teachers. The primary purpose of the second phase was to examine the types of feedback teachers provide on creative tasks, such as composition, and to allow teachers to describe their thinking about giving feedback on creative tasks. Finally, we integrated findings from both phases. The participants in this study reported valuing process- and goal-oriented feedback over task-oriented feedback. However, teachers demonstrated a tendency to provide more task-oriented (or product-oriented) feedback than process- or goal-oriented feedback when responding to the student compositions. Implications and recommendations for the field are discussed.

Journal of Research in Music Education
Northwestern University (US), Bucknell University (US)
Quality Education
Openalex Percentile: Top 87%
Diverse Music Education Insights
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Teacher Use and Perceptions of Feedback on Student Creativity Tasks — Jennifer Blackwell, Nicholas E. Roseth · Journal of Research in Music Education (2026) | TGRS Research Map | TGRS