"The Revolution 'Bout to Be—": A Black Spatial Imaginative and Racial Capitalist Reading of Kendrick Lamar and SZA's Super Bowl Halftime Performance

Abstract: On February 9, 2025, Kendrick Lamar and SZA co-headlined the NFL Super Bowl halftime show. Lamar declared atop a 1987 Buick GNX, "The Revolution 'bout to be televised." In this article, I contextualize this sub-15-minute performance through a Black Spatial Imaginary and Racial Capitalist lens. Specifically, I examine how the aesthetics and application of hip-hop consciousness on the stage of the Super Bowl transformed a commercialized, exclusionary arena into a site of Black resistance, empowerment, and reimagination. I offer sociological insights into this performance by exploring how Black artistry can—and has—subverted institutional norms and reclaimed space even amidst hyper-capitalist arenas.

Authors

Publication Details

Journal
Journal of black sexuality and relationships
Published
2025-06-01
DOI
https://doi.org/10.1353/bsr.2025.a980077
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

"The Revolution 'Bout to Be—": A Black Spatial Imaginative and Racial Capitalist Reading of Kendrick Lamar and SZA's Super Bowl Halftime Performance

Joey Jennings
Journal of black sexuality and relationships
Music History and Culture
article

"The Revolution 'Bout to Be—": A Black Spatial Imaginative and Racial Capitalist Reading of Kendrick Lamar and SZA's Super Bowl Halftime Performance

Joey Jennings
article en

Abstract

Abstract: On February 9, 2025, Kendrick Lamar and SZA co-headlined the NFL Super Bowl halftime show. Lamar declared atop a 1987 Buick GNX, "The Revolution 'bout to be televised." In this article, I contextualize this sub-15-minute performance through a Black Spatial Imaginary and Racial Capitalist lens. Specifically, I examine how the aesthetics and application of hip-hop consciousness on the stage of the Super Bowl transformed a commercialized, exclusionary arena into a site of Black resistance, empowerment, and reimagination. I offer sociological insights into this performance by exploring how Black artistry can—and has—subverted institutional norms and reclaimed space even amidst hyper-capitalist arenas.

Journal of black sexuality and relationshipsVol. 12(1-2)
Reduced inequalities
Openalex Percentile: Top 14%
Music History and Culture
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