Reparative Encounters

This article explores what happens when artists, who have been separated by coloniality, meet across different geographies. Which experiences, vocabularies and strategies resonate across different spaces, how are different practices transformed through encounter, and how can they, in dialogue, reveal new horizons for repairing colonial legacies? The article explores these questions drawing on the ongoing work of the Reparative Encounters network for artistic research. Established in 2023, Reparative Encounters brings together artists and curators from the US Virgin Islands, Ghana, Kalaallit Nunaat and Denmark, locations differently impacted by Danish colonialism. Throughout 2023-2024 we have organised three encounters — in Nuuk, St. Croix and Kumasi — where we met to share artistic practices with each other and to learn from each context. In this article, we reflect on these three encounters to create an “alterarchive” of the insights and possibilities that began to emerge from these meetings. Activating our method of working alongside each other, we write alongside, bringing together reflections, images and poems, to consider what happens when our bodies, histories and practices meet across various locations. Throughout, we reflect on the relation between artistic research, repair and coloniality, and foreground artistic praxis as a means for creating new vocabularies and spaces for inserting other forms of knowledge and being.

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Publication Details

Journal
Kvinder Køn & Forskning
Published
2026-01-20
DOI
https://doi.org/10.7146/kkf.v38i1.159743
Primary Topic
Artistic and Creative Research
Type
article
Field-Weighted Citation Impact
0.00

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article

Reparative Encounters

Julie Edel Hardenberg, Dorothy Akpene Amenuke, Bernard Akoi-Jackson, Katrine Dirckinck-Holmfeld et al.
Kvinder Køn & Forskning
Artistic and Creative Research
article

Reparative Encounters

Julie Edel Hardenberg, Dorothy Akpene Amenuke, Bernard Akoi-Jackson, Katrine Dirckinck-Holmfeld, La Vaughn Belle, Daniela Agostinho
article en

Abstract

This article explores what happens when artists, who have been separated by coloniality, meet across different geographies. Which experiences, vocabularies and strategies resonate across different spaces, how are different practices transformed through encounter, and how can they, in dialogue, reveal new horizons for repairing colonial legacies? The article explores these questions drawing on the ongoing work of the Reparative Encounters network for artistic research. Established in 2023, Reparative Encounters brings together artists and curators from the US Virgin Islands, Ghana, Kalaallit Nunaat and Denmark, locations differently impacted by Danish colonialism. Throughout 2023-2024 we have organised three encounters — in Nuuk, St. Croix and Kumasi — where we met to share artistic practices with each other and to learn from each context. In this article, we reflect on these three encounters to create an “alterarchive” of the insights and possibilities that began to emerge from these meetings. Activating our method of working alongside each other, we write alongside, bringing together reflections, images and poems, to consider what happens when our bodies, histories and practices meet across various locations. Throughout, we reflect on the relation between artistic research, repair and coloniality, and foreground artistic praxis as a means for creating new vocabularies and spaces for inserting other forms of knowledge and being.

Kvinder Køn & ForskningVol. 38(1)
Aarhus University (DK), Kwame Nkrumah University of Science and Technology (GH), Independent Dance (GB), School of Visual Arts (US), Schools of Visual Arts, The Royal Danish Academy of Fine Arts (DK)
Kwame Nkrumah University of Science and Technology
Quality Education
Openalex Percentile: Top 86%
Artistic and Creative Research
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Reparative Encounters — Julie Edel Hardenberg, Dorothy Akpene Amenuke, et al. · Kvinder Køn & Forskning (2026) | TGRS Research Map | TGRS