Minor transnational engagements in the making of the Japanese recording industry

Abstract This article explores the early development of Japan’s recording industry, focusing on locally driven “minor transnational engagements” between emerging Japanese record companies and foreign recording experts. The initial phase of Japan’s recording history mirrored the pattern in most countries from the early 1900s, with major record companies organizing international recording expeditions equipped with new acoustic disc recording technology. However, it was homegrown firms in the 1910s, especially the Nipponophone Company (Nihon Chikuonki Shōkai 日本蓄音器商會), that positioned themselves as the main producers of Japanese titles and gramophones. In the second half of the 1920s, the industry evolved further with the introduction of electrical recording technology, and Japanese record companies embraced it by partnering with international labels to establish multinational ventures. With a focus on the acoustic recording era of the 1910s and early 1920s, this article investigates Nipponophone’s recruitment of foreign recording experts, who not only shared their technical knowledge but also served as strategic conduits for expanding the company’s presence across regional and international markets. Nipponophone and other domestic record companies grew through expert collaborations and secondhand emulation. Their efforts, rather than global campaigns led by the multinational major labels, played a decisive role in shaping Japan’s early recording industry.