Beyond romantic resistance: Anti-capitalist aesthetics in narrative cinema KitchenWill, Film, Negation and Freedom: Capitalism and Romantic Critique, Bloomsbury Publishing: London, 2023, 264 pp., ISBN: 9798765105535.

Kitchen’s Film, Negation and Freedom offers a compelling analysis of Romanticism’s political legacy in cinema, but its conceptual and historical scope remains limited by the absence of feminist perspectives. Engaging with the historiography of women’s cinema and the gendered aesthetics of film production would not only enrich Kitchen’s framework but also expand the possibilities for understanding cinematic resistance in more inclusive and transformative ways. While Kitchen’s study contributes meaningfully to debates on cinema and critique, it remains incomplete without engaging the gendered politics of film history and theory. A feminist intervention would not only recover marginalized voices but also reframe the very terms of artistic and political negation.

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Publication Details

Journal
European Journal of Women s Studies
Published
2026-01-19
DOI
https://doi.org/10.1177/13505068251414366
Primary Topic
Cinema and Media Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Beyond romantic resistance: Anti-capitalist aesthetics in narrative cinema KitchenWill, Film, Negation and Freedom: Capitalism and Romantic Critique, Bloomsbury Publishing: London, 2023, 264 pp., ISBN: 9798765105535.

Katarzyna Kosmala
European Journal of Women s Studies
Cinema and Media Studies
article

Beyond romantic resistance: Anti-capitalist aesthetics in narrative cinema KitchenWill, Film, Negation and Freedom: Capitalism and Romantic Critique, Bloomsbury Publishing: London, 2023, 264 pp., ISBN: 9798765105535.

Katarzyna Kosmala
article en

Abstract

Kitchen’s Film, Negation and Freedom offers a compelling analysis of Romanticism’s political legacy in cinema, but its conceptual and historical scope remains limited by the absence of feminist perspectives. Engaging with the historiography of women’s cinema and the gendered aesthetics of film production would not only enrich Kitchen’s framework but also expand the possibilities for understanding cinematic resistance in more inclusive and transformative ways. While Kitchen’s study contributes meaningfully to debates on cinema and critique, it remains incomplete without engaging the gendered politics of film history and theory. A feminist intervention would not only recover marginalized voices but also reframe the very terms of artistic and political negation.

European Journal of Women s Studies
University of the West of Scotland (GB)
Gender equality
Openalex Percentile: Top 87%
Cinema and Media Studies
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