Pessoptimist About China's Future: Scientific Progress and Social Harmony in <i>Hospital</i> by Han Song and <i>Nova</i> by Cao Fei

This paper analyses the critical responses to the official Chinese Communist Party narratives of scientific progress and social harmony found in Han Song's 韩松 2016 novel Hospital (医院, Yiyuan ) and Cao Fei's 曹斐 2019 film Nova (新星, Xin xing ). Both works challenge the state's vision of a technologically determined, utopian future. The study explores how these texts subvert the official discourse by critically examining four thematic areas: the relationship between past and future, China and the outside world; the personal dimension of the quest for scientific progress; the disconnect between state-level achievements and the livelihood of ordinary citizens; and the concept of personal freedom and happiness. Both works depict a relentless pursuit of progress that leads to the erosion of individual agency, transforming citizens into objects of (bio)technological experimentation. By offering counter-narratives to the state's sociotechnical imaginary, Han Song and Cao Fei provide an ambivalent vision of China's future, one rooted in the anxieties of its present.