Intencionalnost in zaznavni svet.

In the article, I investigate the role of sensation in the manifestation of the world in perceptual experience, as conceptualized through three distinct phenomenological approaches: those of Edmund Husserl, Wilhelm Schapp, and Leopold Blaustein. I begin by examining Husserl’s Göttingen lectures, reconstructing his account of the intentional structuring of the perceptual world, with particular emphasis on the immanent dimension that shapes the interpretation of sensory content. I then turn to Schapp’s theory of presentation-qua-Darstellung, highlighting his original claim that sensations themselves directly present objects to consciousness, fusing the properties of things with their appearance without requiring the interpretative intervention of an intentional act. Finally, I consider Blaustein’s position, which maintains the centrality of intentionality, but situates sensations outside of the intentional act, functioning as mediators, through which the external world is apprehended and interpreted.

Authors

Publication Details

Journal
DiRROS repository (University of Maribor)
Published
2025-12-23
Primary Topic
Phenomenology and Existential Philosophy
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Intencionalnost in zaznavni svet.

Daniele Nuccilli
DiRROS repository (University of Maribor)
Phenomenology and Existential Philosophy
article

Intencionalnost in zaznavni svet.

Daniele Nuccilli
article en

Abstract

In the article, I investigate the role of sensation in the manifestation of the world in perceptual experience, as conceptualized through three distinct phenomenological approaches: those of Edmund Husserl, Wilhelm Schapp, and Leopold Blaustein. I begin by examining Husserl’s Göttingen lectures, reconstructing his account of the intentional structuring of the perceptual world, with particular emphasis on the immanent dimension that shapes the interpretation of sensory content. I then turn to Schapp’s theory of presentation-qua-Darstellung, highlighting his original claim that sensations themselves directly present objects to consciousness, fusing the properties of things with their appearance without requiring the interpretative intervention of an intentional act. Finally, I consider Blaustein’s position, which maintains the centrality of intentionality, but situates sensations outside of the intentional act, functioning as mediators, through which the external world is apprehended and interpreted.

DiRROS repository (University of Maribor)
Reduced inequalities
Openalex Percentile: Top 24%
Phenomenology and Existential Philosophy
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.