Painted Portrait Bricks, Murals, and Pottery Figurine Art of the Southern Dynasty Tomb in Xuezhuang, Dengzhou

The Southern Dynasty’s painted pictorial brick and mural tomb of Xuezhuang in Dengzhou was the first of its kind to be discovered in the history of Chinese archaeology. Although it was not looted, it was vandalized and the complete layout of the tomb chamber cannot be seen. Its artistic and archaeological value is greatly discounted. By 1992, the tomb was relocated to the Dengzhou Museum for restoration. The tomb chamber of this tomb has a unique architectural structure, with unearthed painted pictorial bricks with inscriptions, painted murals on the tomb door, ink-written running script inscriptions, and assembled painted pottery figurines with carved inscriptions. It is deeply influenced by the Central Plains Heluo culture and has distinct regional characteristics of the Southern Dynasties. It combines Buddhism, Taoism, and even traditional Chinese folk beliefs into one, and may also be influenced by the integration of the three religions and the concept of dual cultivation of Buddhism and Taoism advocated by the Southern Dynasty’s royal family and aristocratic elites who migrated south during the Yiguan Nandu (衣冠南渡) movement.

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Publication Details

Journal
Art Frontier
Published
2025-07-30
DOI
https://doi.org/10.64212/lwwf3256
Primary Topic
Chinese history and philosophy
Type
article
Field-Weighted Citation Impact
0.00
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article

Painted Portrait Bricks, Murals, and Pottery Figurine Art of the Southern Dynasty Tomb in Xuezhuang, Dengzhou

Wanlin Gong
Art Frontier
Chinese history and philosophy
article

Painted Portrait Bricks, Murals, and Pottery Figurine Art of the Southern Dynasty Tomb in Xuezhuang, Dengzhou

Wanlin Gong
article en

Abstract

The Southern Dynasty’s painted pictorial brick and mural tomb of Xuezhuang in Dengzhou was the first of its kind to be discovered in the history of Chinese archaeology. Although it was not looted, it was vandalized and the complete layout of the tomb chamber cannot be seen. Its artistic and archaeological value is greatly discounted. By 1992, the tomb was relocated to the Dengzhou Museum for restoration. The tomb chamber of this tomb has a unique architectural structure, with unearthed painted pictorial bricks with inscriptions, painted murals on the tomb door, ink-written running script inscriptions, and assembled painted pottery figurines with carved inscriptions. It is deeply influenced by the Central Plains Heluo culture and has distinct regional characteristics of the Southern Dynasties. It combines Buddhism, Taoism, and even traditional Chinese folk beliefs into one, and may also be influenced by the integration of the three religions and the concept of dual cultivation of Buddhism and Taoism advocated by the Southern Dynasty’s royal family and aristocratic elites who migrated south during the Yiguan Nandu (衣冠南渡) movement.

Art FrontierVol. 3(2)
Sustainable cities and communities
Openalex Percentile: Top 18%
Chinese history and philosophy
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Painted Portrait Bricks, Murals, and Pottery Figurine Art of the Southern Dynasty Tomb in Xuezhuang, Dengzhou — Wanlin Gong · Art Frontier (2025) | TGRS Research Map | TGRS